[Script Info]
Title: Little Shop of Horrors
ScriptType: v4.00+
Collisions: Normal
PlayResX: 1920
PlayResY: 1080

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Arial,30,&H00FFFFFF,&H000000FF,&H00000000,&H80000000,-1,0,0,0,100,100,0,0,1,2,0,2,10,10,10,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:04:25.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}For those of you who haven't\Nseen the musical version of\NLittle Shop of Horrors, it is\Nplaying as a second showing\Non Miru. If you're feeling\Nlike another movie, it's\Nquite good and makes a\Ndiamond out of the rough rock\Nthat is the 1960 version.\N\N
Dialogue: 0,0:04:25.00,0:07:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real horrors were\Nthe capitalism that we found\Nalong the way\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}For those of you who haven't\Nseen the musical version of\NLittle Shop of Horrors, it is\Nplaying as a second showing\Non Miru. If you're feeling\Nlike another movie, it's\Nquite good and makes a\Ndiamond out of the rough rock\Nthat is the 1960 version.\N\N
Dialogue: 0,0:07:41.00,0:07:48.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I guess I'm watching (or\Nmaybe just listening to) the\Nmusical since I missed most\Nof the "plot" in the original\Nthanks to cooking disasters.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real horrors were\Nthe capitalism that we found\Nalong the way\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}For those of you who haven't\Nseen the musical version of\NLittle Shop of Horrors, it is\Nplaying as a second showing\Non Miru. If you're feeling\Nlike another movie, it's\Nquite good and makes a\Ndiamond out of the rough rock\Nthat is the 1960 version.\N\N
Dialogue: 0,0:07:48.00,0:09:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As a show-tune I find "Down\Non Skid Row" to be kinda mid.\NIt's definitely an\Nimprovement to further\Nestablish these charactersbut\NI *always* forget how\Ngoddamned good the opening\Nbars are in this movie\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I guess I'm watching (or\Nmaybe just listening to) the\Nmusical since I missed most\Nof the "plot" in the original\Nthanks to cooking disasters.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real horrors were\Nthe capitalism that we found\Nalong the way\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}For those of you who haven't\Nseen the musical version of\NLittle Shop of Horrors, it is\Nplaying as a second showing\Non Miru. If you're feeling\Nlike another movie, it's\Nquite good and makes a\Ndiamond out of the rough rock\Nthat is the 1960 version.\N\N
Dialogue: 0,0:09:15.00,0:10:07.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}OK I may not be able to\Nresist this musical from\N@miru\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As a show-tune I find "Down\Non Skid Row" to be kinda mid.\NIt's definitely an\Nimprovement to further\Nestablish these charactersbut\NI *always* forget how\Ngoddamned good the opening\Nbars are in this movie\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I guess I'm watching (or\Nmaybe just listening to) the\Nmusical since I missed most\Nof the "plot" in the original\Nthanks to cooking disasters.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real horrors were\Nthe capitalism that we found\Nalong the way\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}For those of you who haven't\Nseen the musical version of\NLittle Shop of Horrors, it is\Nplaying as a second showing\Non Miru. If you're feeling\Nlike another movie, it's\Nquite good and makes a\Ndiamond out of the rough rock\Nthat is the 1960 version.\N\N
Dialogue: 0,0:10:07.00,0:11:35.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}(ok so keep in mind I'm\Ncurrently listening to an\Naudio book about the history\Nof swearing in English)But:\Nsaying "god says gee I don't\Nknow" is very weird. Because\N"gee" is a shortened form of\Njesus, and god swearing by\Nhis son is strange when god\Ncanonically-ish swears only\Nby himself (there are some\Ninteresting early references\Nto swearing by other gods and\Nanyway if you aren't\Ninterested in this subject\Nyou should read/listened to\NHoly Sh*t by Melissa Mohr)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}OK I may not be able to\Nresist this musical from\N@miru\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As a show-tune I find "Down\Non Skid Row" to be kinda mid.\NIt's definitely an\Nimprovement to further\Nestablish these charactersbut\NI *always* forget how\Ngoddamned good the opening\Nbars are in this movie\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I guess I'm watching (or\Nmaybe just listening to) the\Nmusical since I missed most\Nof the "plot" in the original\Nthanks to cooking disasters.\N\N
Dialogue: 0,0:11:35.00,0:12:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}They may not have money on\NSkid Row but they clearly\Nhave dancing talent\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}(ok so keep in mind I'm\Ncurrently listening to an\Naudio book about the history\Nof swearing in English)But:\Nsaying "god says gee I don't\Nknow" is very weird. Because\N"gee" is a shortened form of\Njesus, and god swearing by\Nhis son is strange when god\Ncanonically-ish swears only\Nby himself (there are some\Ninteresting early references\Nto swearing by other gods and\Nanyway if you aren't\Ninterested in this subject\Nyou should read/listened to\NHoly Sh*t by Melissa Mohr)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}OK I may not be able to\Nresist this musical from\N@miru\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As a show-tune I find "Down\Non Skid Row" to be kinda mid.\NIt's definitely an\Nimprovement to further\Nestablish these charactersbut\NI *always* forget how\Ngoddamned good the opening\Nbars are in this movie\N\N
Dialogue: 0,0:12:27.00,0:13:08.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You remember that total\Neclipse of the sun about a\Nweek ago?"Now THIS is a show\Ntune.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}They may not have money on\NSkid Row but they clearly\Nhave dancing talent\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}(ok so keep in mind I'm\Ncurrently listening to an\Naudio book about the history\Nof swearing in English)But:\Nsaying "god says gee I don't\Nknow" is very weird. Because\N"gee" is a shortened form of\Njesus, and god swearing by\Nhis son is strange when god\Ncanonically-ish swears only\Nby himself (there are some\Ninteresting early references\Nto swearing by other gods and\Nanyway if you aren't\Ninterested in this subject\Nyou should read/listened to\NHoly Sh*t by Melissa Mohr)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}OK I may not be able to\Nresist this musical from\N@miru\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As a show-tune I find "Down\Non Skid Row" to be kinda mid.\NIt's definitely an\Nimprovement to further\Nestablish these charactersbut\NI *always* forget how\Ngoddamned good the opening\Nbars are in this movie\N\N
Dialogue: 0,0:13:08.00,0:13:52.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical already makes\Nmore sense than the Corman\Nversion\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You remember that total\Neclipse of the sun about a\Nweek ago?"Now THIS is a show\Ntune.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}They may not have money on\NSkid Row but they clearly\Nhave dancing talent\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}(ok so keep in mind I'm\Ncurrently listening to an\Naudio book about the history\Nof swearing in English)But:\Nsaying "god says gee I don't\Nknow" is very weird. Because\N"gee" is a shortened form of\Njesus, and god swearing by\Nhis son is strange when god\Ncanonically-ish swears only\Nby himself (there are some\Ninteresting early references\Nto swearing by other gods and\Nanyway if you aren't\Ninterested in this subject\Nyou should read/listened to\NHoly Sh*t by Melissa Mohr)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}OK I may not be able to\Nresist this musical from\N@miru\N\N
Dialogue: 0,0:13:52.00,0:14:06.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Little baby Audrey II is so\Ncute :blobfoxpleading:So much\Nkilling and growing up to do.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical already makes\Nmore sense than the Corman\Nversion\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You remember that total\Neclipse of the sun about a\Nweek ago?"Now THIS is a show\Ntune.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}They may not have money on\NSkid Row but they clearly\Nhave dancing talent\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}(ok so keep in mind I'm\Ncurrently listening to an\Naudio book about the history\Nof swearing in English)But:\Nsaying "god says gee I don't\Nknow" is very weird. Because\N"gee" is a shortened form of\Njesus, and god swearing by\Nhis son is strange when god\Ncanonically-ish swears only\Nby himself (there are some\Ninteresting early references\Nto swearing by other gods and\Nanyway if you aren't\Ninterested in this subject\Nyou should read/listened to\NHoly Sh*t by Melissa Mohr)\N\N
Dialogue: 0,0:14:06.00,0:15:22.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Little baby Audrey II is so\Ncute :blobfoxpleading:So much\Nkilling and growing up to do.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical already makes\Nmore sense than the Corman\Nversion\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You remember that total\Neclipse of the sun about a\Nweek ago?"Now THIS is a show\Ntune.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}They may not have money on\NSkid Row but they clearly\Nhave dancing talent\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}(ok so keep in mind I'm\Ncurrently listening to an\Naudio book about the history\Nof swearing in English)But:\Nsaying "god says gee I don't\Nknow" is very weird. Because\N"gee" is a shortened form of\Njesus, and god swearing by\Nhis son is strange when god\Ncanonically-ish swears only\Nby himself (there are some\Ninteresting early references\Nto swearing by other gods and\Nanyway if you aren't\Ninterested in this subject\Nyou should read/listened to\NHoly Sh*t by Melissa Mohr)\N\N
Dialogue: 0,0:15:22.00,0:16:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Little baby Audrey II is so\Ncute :blobfoxpleading:So much\Nkilling and growing up to do.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical already makes\Nmore sense than the Corman\Nversion\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You remember that total\Neclipse of the sun about a\Nweek ago?"Now THIS is a show\Ntune.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}They may not have money on\NSkid Row but they clearly\Nhave dancing talent\N\N
Dialogue: 0,0:16:12.00,0:18:30.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Little baby Audrey II is so\Ncute :blobfoxpleading:So much\Nkilling and growing up to do.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical already makes\Nmore sense than the Corman\Nversion\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You remember that total\Neclipse of the sun about a\Nweek ago?"Now THIS is a show\Ntune.\N\N
Dialogue: 0,0:18:30.00,0:19:05.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Little baby Audrey II is so\Ncute :blobfoxpleading:So much\Nkilling and growing up to do.\N\N
Dialogue: 0,0:19:05.00,0:20:34.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N
Dialogue: 0,0:20:34.00,0:20:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N
Dialogue: 0,0:20:57.00,0:21:03.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Twice as many" mouthed from\Nthe other side of the window\Nis a perfect example of what\Nyou can do in a movie that\Njust isn't going to play on\Nstage unless you're *really*\Ncareful about it.Anyway,\Nbring in the woodwinds with\Nthe musical's theme.\N\N
Dialogue: 0,0:21:03.00,0:22:09.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Huh really? In my\Nhead that seems like it'd\Nwork well on stage, it just\Ncouldn't be silent\N\N
Dialogue: 0,0:22:09.00,0:22:16.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N
Dialogue: 0,0:22:16.00,0:23:34.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ahhh, John Candy…\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'm thinking of all the\Npeople who swear that talking\Nor singing to their plants\Nhelps them growDefinitely\Ntrue in this case\N\N
Dialogue: 0,0:23:34.00,0:23:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I like this version of Audrey\NII that can move around and\Nexhibit facial expressions\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ahhh, John Candy…\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N
Dialogue: 0,0:23:36.00,0:24:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Rick Moranis' eyebrows\Ndeserve their own line in the\Ncredits.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I like this version of Audrey\NII that can move around and\Nexhibit facial expressions\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ahhh, John Candy…\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}If the plant likes blood so\Nmuch I wonder if it'd take to\Nblood pudding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The pacing of the musical is\Nso good. Enough dialogue to\Nget you between songs and\Nkeep things moving, and then\Nall the rest of the\Ninteriority is the songs.\N\N
Dialogue: 0,0:24:27.00,0:25:32.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"If that's what he does when\Nhe likes me, imagine what\Nhe'd do if he ever got\Nmad"Oof.Ellen Greene is great\Nas Audrey, I think she's just\Nright for this role\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Rick Moranis' eyebrows\Ndeserve their own line in the\Ncredits.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I like this version of Audrey\NII that can move around and\Nexhibit facial expressions\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ahhh, John Candy…\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Grow… grow… grow…My my,\Nwould you just look at that\Nunusual plant?!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}*jazz leaves* (but for real\Nthis time)\N\N
Dialogue: 0,0:25:32.00,0:26:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This is so over the top.\NCorny? Campy? I don't even\Nknown what word describes\Nthis song with a tract house\Nand a lawn mower...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"If that's what he does when\Nhe likes me, imagine what\Nhe'd do if he ever got\Nmad"Oof.Ellen Greene is great\Nas Audrey, I think she's just\Nright for this role\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Rick Moranis' eyebrows\Ndeserve their own line in the\Ncredits.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I like this version of Audrey\NII that can move around and\Nexhibit facial expressions\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ahhh, John Candy…\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Thoroughly creeped out by the\Npeople in the waiting room\Nfor the radio station\Ninterview.\N\N
Dialogue: 0,0:26:58.00,0:27:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I kind of wish Audrey had\Nbeen using her singing voice\Nthe whole movie. The\Nhigh-pitched one was\Nirritating IMO\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This is so over the top.\NCorny? Campy? I don't even\Nknown what word describes\Nthis song with a tract house\Nand a lawn mower...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"If that's what he does when\Nhe likes me, imagine what\Nhe'd do if he ever got\Nmad"Oof.Ellen Greene is great\Nas Audrey, I think she's just\Nright for this role\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Rick Moranis' eyebrows\Ndeserve their own line in the\Ncredits.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I like this version of Audrey\NII that can move around and\Nexhibit facial expressions\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ahhh, John Candy…\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Such cool puppets, too.\N\N
Dialogue: 0,0:27:39.00,0:28:19.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The theme is the song from\Nthis show that sticks most in\Nmy mind, but the soaring\Nchorus of "Suddenly Seymour"\Nmakes it a close second. We\Nsnuggly watching LucyOn our\Nbig, enormoustwelve-inch\Nscreen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I kind of wish Audrey had\Nbeen using her singing voice\Nthe whole movie. The\Nhigh-pitched one was\Nirritating IMO\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This is so over the top.\NCorny? Campy? I don't even\Nknown what word describes\Nthis song with a tract house\Nand a lawn mower...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"If that's what he does when\Nhe likes me, imagine what\Nhe'd do if he ever got\Nmad"Oof.Ellen Greene is great\Nas Audrey, I think she's just\Nright for this role\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Rick Moranis' eyebrows\Ndeserve their own line in the\Ncredits.\N\N
Dialogue: 0,0:28:19.00,0:29:16.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The theme is the song from\Nthis show that sticks most in\Nmy mind, but the soaring\Nchorus of "Suddenly Seymour"\Nmakes it a close second. We\Nsnuggly watching LucyOn our\Nbig, enormoustwelve-inch\Nscreen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I kind of wish Audrey had\Nbeen using her singing voice\Nthe whole movie. The\Nhigh-pitched one was\Nirritating IMO\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This is so over the top.\NCorny? Campy? I don't even\Nknown what word describes\Nthis song with a tract house\Nand a lawn mower...\N\N
Dialogue: 0,0:29:16.00,0:32:14.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The theme is the song from\Nthis show that sticks most in\Nmy mind, but the soaring\Nchorus of "Suddenly Seymour"\Nmakes it a close second. We\Nsnuggly watching LucyOn our\Nbig, enormoustwelve-inch\Nscreen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I kind of wish Audrey had\Nbeen using her singing voice\Nthe whole movie. The\Nhigh-pitched one was\Nirritating IMO\N\N
Dialogue: 0,0:32:14.00,0:32:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The theme is the song from\Nthis show that sticks most in\Nmy mind, but the soaring\Nchorus of "Suddenly Seymour"\Nmakes it a close second. We\Nsnuggly watching LucyOn our\Nbig, enormoustwelve-inch\Nscreen\N\N
Dialogue: 0,0:32:55.00,0:33:31.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The theme is the song from\Nthis show that sticks most in\Nmy mind, but the soaring\Nchorus of "Suddenly Seymour"\Nmakes it a close second. We\Nsnuggly watching LucyOn our\Nbig, enormoustwelve-inch\Nscreen\N\N
Dialogue: 0,0:33:31.00,0:33:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N
Dialogue: 0,0:33:36.00,0:34:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N
Dialogue: 0,0:34:39.00,0:34:45.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TEETH\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Oh wow, mixed animation and\Nlive action, I'm surprised\Nthis pre-dates Who Framed\NRoger Rabbit (by 2 years)\Nbecause that's the best\Nexample of the format.(if we\Never do that for monsterdon\NI'm 100% on time for once and\Nwill gush about it, but I'm\Nnot sure Judge Doom counts\Nenough as a monster and it\Nwould be one of the rare\N"good" movies)\N\N
Dialogue: 0,0:34:45.00,0:35:19.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}like, I swear, the musical\Nversion would have been gold\Nfor my bingo card\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TEETH\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Do you hear this, God? He\Nforgot!"Time for emergency\Narrangement by floral surgeon\NAudrey, assisted in the\Noperation by Sweet Putz\NSeymour.\N\N
Dialogue: 0,0:35:19.00,0:35:56.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}like, I swear, the musical\Nversion would have been gold\Nfor my bingo card\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TEETH\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"You'd be seen with me in a\Npublic place like a\Ndepartment store?"\N\N
Dialogue: 0,0:35:56.00,0:37:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}like, I swear, the musical\Nversion would have been gold\Nfor my bingo card\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TEETH\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Seymour an orphan in this\Nversion? Will we not have the\Nterrible dinner scene with\Nhis mom?\N\N
Dialogue: 0,0:37:36.00,0:39:26.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}like, I swear, the musical\Nversion would have been gold\Nfor my bingo card\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TEETH\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hope you all had your fill of\Nthe scenery because Steve\NMartin has arrived to eat the\Nrest.\N\N
Dialogue: 0,0:39:26.00,0:39:28.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}like, I swear, the musical\Nversion would have been gold\Nfor my bingo card\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TEETH\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Ahhh!!! Steve Martin is\Ngreat!!!\N\N
Dialogue: 0,0:39:28.00,0:39:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}like, I swear, the musical\Nversion would have been gold\Nfor my bingo card\N\N
Dialogue: 0,0:39:55.00,0:40:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N
Dialogue: 0,0:40:13.00,0:41:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N
Dialogue: 0,0:41:13.00,0:41:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N
Dialogue: 0,0:41:21.00,0:41:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 if you care to tune in\Nthat way\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Nice plant. Big."\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I always forget about the\Nextremely cool\Ninside-the-mouth effect.\N"Dentist" as a tune is good\Nbut the movie is what freezes\Nit in my mind. So much visual\Nfun to bring Steve Martin\Ninto the story as the\Nextremely bad dude that he\Nis.\N\N
Dialogue: 0,0:41:54.00,0:42:44.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 if you care to tune in\Nthat way\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The musical version is doing\N*such* a better job of\Ndeveloping the dentist as a\Nvillain (and character\Ndevelopment in general)It\Nfeels so weird\N\N
Dialogue: 0,0:42:44.00,0:43:30.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H643B67&}forestine\N{\c&HFFFFFF&}it's good but it's no Roger\NCorman. where is the haste?\Nwhere is the cheapness?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 if you care to tune in\Nthat way\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"disgrace to the dental\Nprofession"\N\N
Dialogue: 0,0:43:30.00,0:43:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Try this kind of interaction\Nbetween an actor and a\Ndigital composite LOL\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}it's good but it's no Roger\NCorman. where is the haste?\Nwhere is the cheapness?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 if you care to tune in\Nthat way\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}As you gaze upon this\NINCREDIBLE puppet, recall\Nthat the year is 1986.\N\N
Dialogue: 0,0:43:38.00,0:44:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The guy sure looks like plant\Nfood to me!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Try this kind of interaction\Nbetween an actor and a\Ndigital composite LOL\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}it's good but it's no Roger\NCorman. where is the haste?\Nwhere is the cheapness?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 if you care to tune in\Nthat way\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Rock on, Audrey II\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Half an hour or so, but\Nbecause it's things have\Nactually happened that are\Nrelevant to the plot\N\N
Dialogue: 0,0:44:38.00,0:45:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The guy sure looks like plant\Nfood to me!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Try this kind of interaction\Nbetween an actor and a\Ndigital composite LOL\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}it's good but it's no Roger\NCorman. where is the haste?\Nwhere is the cheapness?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 if you care to tune in\Nthat way\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 Not yet!\N\N
Dialogue: 0,0:45:41.00,0:46:19.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The guy sure looks like plant\Nfood to me!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Try this kind of interaction\Nbetween an actor and a\Ndigital composite LOL\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}it's good but it's no Roger\NCorman. where is the haste?\Nwhere is the cheapness?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N
Dialogue: 0,0:46:19.00,0:46:23.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The guy sure looks like plant\Nfood to me!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Try this kind of interaction\Nbetween an actor and a\Ndigital composite LOL\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}it's good but it's no Roger\NCorman. where is the haste?\Nwhere is the cheapness?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"Feed Me" is of course also\Nvery memorable. Mostly for\Nthe actual performance IMO,\Nthe lyrics slip out of my\Nmind easily, but not because\Nthey aren't greatI have soso\Nmany strongreservations\N\N
Dialogue: 0,0:46:23.00,0:46:50.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The guy sure looks like plant\Nfood to me!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Try this kind of interaction\Nbetween an actor and a\Ndigital composite LOL\N\N
Dialogue: 0,0:46:50.00,0:48:23.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The guy sure looks like plant\Nfood to me!\N\N
Dialogue: 0,0:48:23.00,0:48:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N
Dialogue: 0,0:48:57.00,0:49:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}One of my favorite things\Never is listening to\N@starkraving666 singing along\Nto Somewhere That’s Green.\NAnd Suddenly Seymour. And\NElbow’s Mirrorball, but\Nthat’s a separate story.\N\N
Dialogue: 0,0:49:54.00,0:50:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N
Dialogue: 0,0:50:33.00,0:50:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N{\c&H643B67&}forestine\N{\c&HFFFFFF&}oh good i was afraid they'd\Ngotten rid of the Jack\NNicholson masochist. Bill\NMurray didn't have a PAIN\Nmagazine though\N\N
Dialogue: 0,0:50:51.00,0:50:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hehehe the balloons\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I've been saving all month\Nfor this. I need a root\Ncanal. I'm sure I need a long\Nslow root canal."\N\N
Dialogue: 0,0:50:54.00,0:51:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I'm pretty sure this is\Nsomething about nitrous and\Nerectile tissue, but I'm not\Nsure I want to google it...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hehehe the balloons\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}This just took a turn for\Nunexpected far more explicit\NS&M with a masochist. Was\Nthis part of the Corman\Nmovie?\N\N
Dialogue: 0,0:51:37.00,0:51:59.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}HA HA HA HA HA HA HAHE HAS A\NGUNHA HA HA HA HA HA HAHE\NINTENDS TO SHOOT ME WITH ITHA\NHA HA HA HA HA HAHOW\NAMUSINGHA HA HA HA HA HA\NHADOES THIS AIR TASTE FUNNY\NTO YOUHA HA HA HA HA HA HA\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I'm pretty sure this is\Nsomething about nitrous and\Nerectile tissue, but I'm not\Nsure I want to google it...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hehehe the balloons\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"I'm gonna get a candy bar."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Billy Murray's mouth is way\Ntoo weirdly flexible. It's\Ncreeping me out.\N\N
Dialogue: 0,0:51:59.00,0:52:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}@plaidtron3000 Wow, that's\Npretty tall for an actor. I\Ndidn't realize that!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}HA HA HA HA HA HA HAHE HAS A\NGUNHA HA HA HA HA HA HAHE\NINTENDS TO SHOOT ME WITH ITHA\NHA HA HA HA HA HAHOW\NAMUSINGHA HA HA HA HA HA\NHADOES THIS AIR TASTE FUNNY\NTO YOUHA HA HA HA HA HA HA\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I'm pretty sure this is\Nsomething about nitrous and\Nerectile tissue, but I'm not\Nsure I want to google it...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hehehe the balloons\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Bill Murray really that\Ntall? Or is that doorway\Nweirdly short? Or is Steve\NMartin not as tall as I\Nthought?\N\N
Dialogue: 0,0:52:15.00,0:54:23.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}@plaidtron3000 Wow, that's\Npretty tall for an actor. I\Ndidn't realize that!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}HA HA HA HA HA HA HAHE HAS A\NGUNHA HA HA HA HA HA HAHE\NINTENDS TO SHOOT ME WITH ITHA\NHA HA HA HA HA HAHOW\NAMUSINGHA HA HA HA HA HA\NHADOES THIS AIR TASTE FUNNY\NTO YOUHA HA HA HA HA HA HA\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I'm pretty sure this is\Nsomething about nitrous and\Nerectile tissue, but I'm not\Nsure I want to google it...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hehehe the balloons\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"The gas isn't for you,\NSeymour."\N\N
Dialogue: 0,0:54:23.00,0:55:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}@plaidtron3000 Wow, that's\Npretty tall for an actor. I\Ndidn't realize that!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}HA HA HA HA HA HA HAHE HAS A\NGUNHA HA HA HA HA HA HAHE\NINTENDS TO SHOOT ME WITH ITHA\NHA HA HA HA HA HAHOW\NAMUSINGHA HA HA HA HA HA\NHADOES THIS AIR TASTE FUNNY\NTO YOUHA HA HA HA HA HA HA\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I'm pretty sure this is\Nsomething about nitrous and\Nerectile tissue, but I'm not\Nsure I want to google it...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Hehehe the balloons\N\N
Dialogue: 0,0:55:37.00,0:55:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}@plaidtron3000 Wow, that's\Npretty tall for an actor. I\Ndidn't realize that!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}HA HA HA HA HA HA HAHE HAS A\NGUNHA HA HA HA HA HA HAHE\NINTENDS TO SHOOT ME WITH ITHA\NHA HA HA HA HA HAHOW\NAMUSINGHA HA HA HA HA HA\NHADOES THIS AIR TASTE FUNNY\NTO YOUHA HA HA HA HA HA HA\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}I'm pretty sure this is\Nsomething about nitrous and\Nerectile tissue, but I'm not\Nsure I want to google it...\N\N
Dialogue: 0,0:55:49.00,0:56:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}@plaidtron3000 Wow, that's\Npretty tall for an actor. I\Ndidn't realize that!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}HA HA HA HA HA HA HAHE HAS A\NGUNHA HA HA HA HA HA HAHE\NINTENDS TO SHOOT ME WITH ITHA\NHA HA HA HA HA HAHOW\NAMUSINGHA HA HA HA HA HA\NHADOES THIS AIR TASTE FUNNY\NTO YOUHA HA HA HA HA HA HA\N\N
Dialogue: 0,0:56:55.00,0:57:48.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}@plaidtron3000 Wow, that's\Npretty tall for an actor. I\Ndidn't realize that!\N\N
Dialogue: 0,0:57:48.00,0:59:28.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N
Dialogue: 0,0:59:28.00,0:59:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway, everybody else is\Nhungry for scenery, so it is\Ntime for Steve Martin to\Nleave the production.Speaking\Nof hungry, Audrey II could do\Nwith a snack.\N\N
Dialogue: 0,0:59:49.00,1:01:43.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[bouncing in seat] The guy\Nsure looks like plant food to\Nme! Rest in piss, you abusive\Nshithead.\N\N
Dialogue: 0,1:01:43.00,1:02:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Chopping up a dead body is in\Nfact 50% easier if you set up\Na spotlight to project your\Nshadow on a highly visible\Nwall\N\N
Dialogue: 0,1:02:20.00,1:03:30.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, but didn't Audrey II\Nsay only blood? How can\NSeymour be feeding them a\Nwhole body?Also, I want Steve\NMartin's motorcycle boots\Nwith all of the buckles. My\Ninner teenage goth has needs.\N\N
Dialogue: 0,1:03:30.00,1:03:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine I just think of it\Nlike us eating chicken wings\N\N
Dialogue: 0,1:03:39.00,1:03:40.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}:blobfoxpleading:\N\N
Dialogue: 0,1:03:40.00,1:04:44.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N
Dialogue: 0,1:04:44.00,1:04:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Ellen Greene, theydies and\Nthemtlemen\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"Orin Scrivello" lolSadly I\Ncan't hear "Orin" without\Nthinking of the NVIDIA Orin\Nchip\N\N
Dialogue: 0,1:04:58.00,1:05:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N
Dialogue: 0,1:05:51.00,1:06:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Every time Audrey leans over\NI'm waiting for her to fall\Nout of her dress. I guess\Ndouble stick tape really is a\Nmiracle. Either that or the\Nblooper reel from this film\Nis very explicit...\N\N
Dialogue: 0,1:06:41.00,1:07:14.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Steve Martin is such a master\Nof slapstick he doesn't even\Nhave to be in the scene to\Nmake it work:\N\N
Dialogue: 0,1:07:14.00,1:08:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I wonder if Audrey II\Nactually ships Seymour and\NAudrey or just sees it as a\Npath to getting food\N\N
Dialogue: 0,1:08:13.00,1:10:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Blood doesn't dry red...\N\N
Dialogue: 0,1:10:21.00,1:10:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}yesssss the chorus is backing\Nup Audrey II\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I swear on my sporesWhen he's\Ngone, the world will be yours\N\N
Dialogue: 0,1:10:36.00,1:11:31.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N
Dialogue: 0,1:11:31.00,1:13:08.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[chanting]puppetpuppetpuppet\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}SUPPER TIME AGAINPUPPET TIME\NAGAIN\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}"Give me your secret\Ngardening tips"Dude, you have\NNo Idea what you're asking\Nfor.\N\N
Dialogue: 0,1:13:08.00,1:14:43.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Let's see what Audrey has\Npacked to run away and start\Na new life with Seymour.One\Npair of shoes, and a stuffed\Ndoggie.Well, okay then.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[chanting]puppetpuppetpuppet\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}well this took a very\Ndifferent turn from the\Noriginal\N\N
Dialogue: 0,1:14:43.00,1:14:45.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Let's see what Audrey has\Npacked to run away and start\Na new life with Seymour.One\Npair of shoes, and a stuffed\Ndoggie.Well, okay then.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[chanting]puppetpuppetpuppet\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N
Dialogue: 0,1:14:45.00,1:15:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Audrey II romancing\NAudrey? This movie got way\Nqueerer than I expected! Yay!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Let's see what Audrey has\Npacked to run away and start\Na new life with Seymour.One\Npair of shoes, and a stuffed\Ndoggie.Well, okay then.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[chanting]puppetpuppetpuppet\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The ladies on typewriter\Ndoing synchronized shoulder\Ndips is really great\Nchoreography. I love all the\Ninterstitials in the movie\N\N
Dialogue: 0,1:15:01.00,1:15:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The bassline in these\N"something terrible will\Nhappen" moments is so good.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Audrey II romancing\NAudrey? This movie got way\Nqueerer than I expected! Yay!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Let's see what Audrey has\Npacked to run away and start\Na new life with Seymour.One\Npair of shoes, and a stuffed\Ndoggie.Well, okay then.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[chanting]puppetpuppetpuppet\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Does this count as getting\N60's married or 80's married\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Seymour and Audrey are going\Nto take the money, split\Ntown, and get married. What a\Nhappy ending that will be!\N\N
Dialogue: 0,1:15:37.00,1:16:47.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The physicality of the puppet\Nreally sells the horror of\Nbeing eaten by this plant.\NAnd like, every single other\Nthing about it.Putting on a\Nproduction of Little Shop is\Ngoing to revolve around the\Npuppets, to some extent.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The bassline in these\N"something terrible will\Nhappen" moments is so good.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Audrey II romancing\NAudrey? This movie got way\Nqueerer than I expected! Yay!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Let's see what Audrey has\Npacked to run away and start\Na new life with Seymour.One\Npair of shoes, and a stuffed\Ndoggie.Well, okay then.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[chanting]puppetpuppetpuppet\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}don't wake the puppet it's\Neepyactually on second\Nthought the puppet is amazing\Nso please wake it\N\N
Dialogue: 0,1:16:47.00,1:17:04.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Uh Seymour, with the way\Ncarnivorous plants work\Nrescuing her isn't going to\Ngive you her back...she\Nshould be missing some skin\Nand things.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The physicality of the puppet\Nreally sells the horror of\Nbeing eaten by this plant.\NAnd like, every single other\Nthing about it.Putting on a\Nproduction of Little Shop is\Ngoing to revolve around the\Npuppets, to some extent.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The bassline in these\N"something terrible will\Nhappen" moments is so good.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Audrey II romancing\NAudrey? This movie got way\Nqueerer than I expected! Yay!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Let's see what Audrey has\Npacked to run away and start\Na new life with Seymour.One\Npair of shoes, and a stuffed\Ndoggie.Well, okay then.\N\N
Dialogue: 0,1:17:04.00,1:17:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like being partially\Ndigested by a plant to\Nfacilitate a budding romance\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Uh Seymour, with the way\Ncarnivorous plants work\Nrescuing her isn't going to\Ngive you her back...she\Nshould be missing some skin\Nand things.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The physicality of the puppet\Nreally sells the horror of\Nbeing eaten by this plant.\NAnd like, every single other\Nthing about it.Putting on a\Nproduction of Little Shop is\Ngoing to revolve around the\Npuppets, to some extent.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The bassline in these\N"something terrible will\Nhappen" moments is so good.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Audrey II romancing\NAudrey? This movie got way\Nqueerer than I expected! Yay!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N
Dialogue: 0,1:17:49.00,1:18:30.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Suddenly Seymour (sad mix)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like being partially\Ndigested by a plant to\Nfacilitate a budding romance\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Uh Seymour, with the way\Ncarnivorous plants work\Nrescuing her isn't going to\Ngive you her back...she\Nshould be missing some skin\Nand things.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The physicality of the puppet\Nreally sells the horror of\Nbeing eaten by this plant.\NAnd like, every single other\Nthing about it.Putting on a\Nproduction of Little Shop is\Ngoing to revolve around the\Npuppets, to some extent.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The bassline in these\N"something terrible will\Nhappen" moments is so good.\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Is Audrey II romancing\NAudrey? This movie got way\Nqueerer than I expected! Yay!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}lollllll the plant knows how\Nto use a rotary phone\N\N
Dialogue: 0,1:18:30.00,1:18:59.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, after being partially\Nengulfed she wants to be part\Nof the plant? Was there some\Nbrainwashing involved?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Suddenly Seymour (sad mix)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like being partially\Ndigested by a plant to\Nfacilitate a budding romance\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Uh Seymour, with the way\Ncarnivorous plants work\Nrescuing her isn't going to\Ngive you her back...she\Nshould be missing some skin\Nand things.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The physicality of the puppet\Nreally sells the horror of\Nbeing eaten by this plant.\NAnd like, every single other\Nthing about it.Putting on a\Nproduction of Little Shop is\Ngoing to revolve around the\Npuppets, to some extent.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The bassline in these\N"something terrible will\Nhappen" moments is so good.\N\N
Dialogue: 0,1:18:59.00,1:19:06.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}there's foreshadowing and\Nthen there's "when I die,\Nwhich is going to be very\Nsoon"\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, after being partially\Nengulfed she wants to be part\Nof the plant? Was there some\Nbrainwashing involved?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Suddenly Seymour (sad mix)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like being partially\Ndigested by a plant to\Nfacilitate a budding romance\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Uh Seymour, with the way\Ncarnivorous plants work\Nrescuing her isn't going to\Ngive you her back...she\Nshould be missing some skin\Nand things.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}The physicality of the puppet\Nreally sells the horror of\Nbeing eaten by this plant.\NAnd like, every single other\Nthing about it.Putting on a\Nproduction of Little Shop is\Ngoing to revolve around the\Npuppets, to some extent.\N\N
Dialogue: 0,1:19:06.00,1:20:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}there's foreshadowing and\Nthen there's "when I die,\Nwhich is going to be very\Nsoon"\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, after being partially\Nengulfed she wants to be part\Nof the plant? Was there some\Nbrainwashing involved?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Suddenly Seymour (sad mix)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like being partially\Ndigested by a plant to\Nfacilitate a budding romance\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Uh Seymour, with the way\Ncarnivorous plants work\Nrescuing her isn't going to\Ngive you her back...she\Nshould be missing some skin\Nand things.\N\N
Dialogue: 0,1:20:21.00,1:20:29.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}there's foreshadowing and\Nthen there's "when I die,\Nwhich is going to be very\Nsoon"\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, after being partially\Nengulfed she wants to be part\Nof the plant? Was there some\Nbrainwashing involved?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Suddenly Seymour (sad mix)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like being partially\Ndigested by a plant to\Nfacilitate a budding romance\N\N
Dialogue: 0,1:20:29.00,1:20:56.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}there's foreshadowing and\Nthen there's "when I die,\Nwhich is going to be very\Nsoon"\N\N{\c&HF061EA&}Sam Levine\N{\c&HFFFFFF&}Wait, after being partially\Nengulfed she wants to be part\Nof the plant? Was there some\Nbrainwashing involved?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Suddenly Seymour (sad mix)\N\N
Dialogue: 0,1:20:56.00,1:23:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}there's foreshadowing and\Nthen there's "when I die,\Nwhich is going to be very\Nsoon"\N\N
Dialogue: 0,1:23:12.00,1:23:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}there's foreshadowing and\Nthen there's "when I die,\Nwhich is going to be very\Nsoon"\N\N
Dialogue: 0,1:23:41.00,1:24:25.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N
Dialogue: 0,1:24:25.00,1:25:40.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SRLevine Indeed, but I'm\Nwilling to believe a\Ncarnivorous plant that can\Nalso sing show tunes might\Nwork a little differently\N\N
Dialogue: 0,1:25:40.00,1:25:53.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like the small touches in\Nhere thoughthe dead Audrey II\Nfoliage helps *make* it\N\N
Dialogue: 0,1:25:53.00,1:26:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Once again, Ellen Greene\Nstrums at our hearts, and we\Nget a callback to "Out of\NSkid Row".It's still a way\Nout of Skid Row, after all.\NJust not the one we were\Nhoping for.\N\N
Dialogue: 0,1:26:57.00,1:27:43.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[gentle puppeteering]\N\N
Dialogue: 0,1:27:43.00,1:28:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N
Dialogue: 0,1:28:54.00,1:29:08.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Maybe the real little shop of\Nhorrors was the free market\Nenterprise we found along the\Nway"This could be bigger than\NHoola-Hoops"\N\N
Dialogue: 0,1:29:08.00,1:29:29.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}I like that they have kept\Nthe cadence of upgrading the\Npuppet with every feeding\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"A goddamn vegetable's public\Ndomain!"\N\N
Dialogue: 0,1:29:29.00,1:30:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I'm just a mean green\Nmotherfrom outer space\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}okay the puppet CHORUSAMAZING\N\N
Dialogue: 0,1:30:38.00,1:31:03.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}did this movie singlehandedly\Npush the phrase "tough titty"\Ninto public consciousness\N\N
Dialogue: 0,1:31:03.00,1:31:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway we're going out on the\NAmerican flag and this is IN\NNO WAY pointing out the real\Nhorror in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N
Dialogue: 0,1:31:33.00,1:33:11.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H77D637&}rj\N{\c&HFFFFFF&}Look Out, Here Comes Audrey\NII\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway we're going out on the\NAmerican flag and this is IN\NNO WAY pointing out the real\Nhorror in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Now *that's* a performance\Nthat brings down the house\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I would watch like six hours\Nof just Audrey II and the\NBuds doing show tunes and\NMotown covers\N\N
Dialogue: 0,1:33:11.00,1:33:24.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}a few stings of "My Sharona"\Nin there.also, EVEN MORE\NPUPPETRY ESCALATION\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}Look Out, Here Comes Audrey\NII\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway we're going out on the\NAmerican flag and this is IN\NNO WAY pointing out the real\Nhorror in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N
Dialogue: 0,1:33:24.00,1:33:43.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla: Plant Edition\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}a few stings of "My Sharona"\Nin there.also, EVEN MORE\NPUPPETRY ESCALATION\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}Look Out, Here Comes Audrey\NII\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway we're going out on the\NAmerican flag and this is IN\NNO WAY pointing out the real\Nhorror in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}PUPPETS OF DESTRUCTIONthe\Ncrew had to be having a\NGLORIOUS time\N\N
Dialogue: 0,1:33:43.00,1:33:52.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi YES\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla: Plant Edition\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}a few stings of "My Sharona"\Nin there.also, EVEN MORE\NPUPPETRY ESCALATION\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}Look Out, Here Comes Audrey\NII\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway we're going out on the\NAmerican flag and this is IN\NNO WAY pointing out the real\Nhorror in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N
Dialogue: 0,1:33:52.00,1:34:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi YES\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla: Plant Edition\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}a few stings of "My Sharona"\Nin there.also, EVEN MORE\NPUPPETRY ESCALATION\N\N{\c&H77D637&}rj\N{\c&HFFFFFF&}Look Out, Here Comes Audrey\NII\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Anyway we're going out on the\NAmerican flag and this is IN\NNO WAY pointing out the real\Nhorror in the movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}At no point in this entire\Nthing has it ever been clear\Nwhether Audrey II has a\Nthroat\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}I wonder if the cast ever did\Ninterviews talking about what\Nit was like to play opposite\Nthe puppets. Must have been\Nthe gig of a lifetime.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}[stunning puppetry continues\Nto escalate]\N\N