[Script Info]
Title: Godzilla 1977
ScriptType: v4.00+
Collisions: Normal
PlayResX: 1920
PlayResY: 1080

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Arial,30,&H00FFFFFF,&H000000FF,&H00000000,&H80000000,-1,0,0,0,100,100,0,0,1,2,0,2,10,10,10,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:03.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:00:03.00,0:00:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:00:12.00,0:00:18.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:00:18.00,0:00:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:00:21.00,0:00:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:00:41.00,0:00:46.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:00:46.00,0:01:07.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco I mean, wow\N\N{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:01:07.00,0:01:25.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}Anyone else getting audio\Nstuttering on @miru ?\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco I mean, wow\N\N{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona @Taweret @miru I\Nhonestly expected this to be\Na little _better_ than last\Nweek because more gonzo? but\Nthere was too much reused\Nfootage so it lost the\Nadvantage\N\N
Dialogue: 0,0:01:25.00,0:01:35.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H3ACDD9&}plantago\N{\c&HFFFFFF&}Thanks y'all!I may stick\Naround for the after show -\NWhen the moon hits your eye\Nlike a big [italian\Ngodzilla?]\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}Anyone else getting audio\Nstuttering on @miru ?\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco I mean, wow\N\N{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira nooo that's almost\Nimpressively unlucky though\N\N{\c&H619956&}Violinknitter\N{\c&HFFFFFF&}In this movie’s very very\Nslight defense, it at least\Nhad a more coherent plot than\Nlast week’s Hercules\N\N
Dialogue: 0,0:01:35.00,0:01:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N{\c&H3ACDD9&}plantago\N{\c&HFFFFFF&}Thanks y'all!I may stick\Naround for the after show -\NWhen the moon hits your eye\Nlike a big [italian\Ngodzilla?]\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}Anyone else getting audio\Nstuttering on @miru ?\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco I mean, wow\N\N{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N
Dialogue: 0,0:01:49.00,0:01:52.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Perry Mason vs Godzilla\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N{\c&H3ACDD9&}plantago\N{\c&HFFFFFF&}Thanks y'all!I may stick\Naround for the after show -\NWhen the moon hits your eye\Nlike a big [italian\Ngodzilla?]\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}Anyone else getting audio\Nstuttering on @miru ?\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco I mean, wow\N\N{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco Apparently they shot\Npart of it in a wild-looking\NTuscan castle? I didn't\Nrecognize any of it\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}@Taweret Do you even produce,\Nbro?\N\N
Dialogue: 0,0:01:52.00,0:01:59.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Perry Mason vs Godzilla\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N{\c&H3ACDD9&}plantago\N{\c&HFFFFFF&}Thanks y'all!I may stick\Naround for the after show -\NWhen the moon hits your eye\Nlike a big [italian\Ngodzilla?]\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}Anyone else getting audio\Nstuttering on @miru ?\N\N{\c&HEC6BA7&}banderkat\N{\c&HFFFFFF&}@paco I mean, wow\N\N{\c&HD66A8C&}raptop (  )\N{\c&HFFFFFF&}I guess one last thought, was\Nthat movie surprisingly horny\Nor was it just me?\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@randy_s "la la la"\N\N
Dialogue: 0,0:01:59.00,0:02:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Perry Mason vs Godzilla\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N{\c&H3ACDD9&}plantago\N{\c&HFFFFFF&}Thanks y'all!I may stick\Naround for the after show -\NWhen the moon hits your eye\Nlike a big [italian\Ngodzilla?]\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}Anyone else getting audio\Nstuttering on @miru ?\N\N
Dialogue: 0,0:02:01.00,0:02:02.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Perry Mason vs Godzilla\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N{\c&H3ACDD9&}plantago\N{\c&HFFFFFF&}Thanks y'all!I may stick\Naround for the after show -\NWhen the moon hits your eye\Nlike a big [italian\Ngodzilla?]\N\N
Dialogue: 0,0:02:02.00,0:02:06.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Perry Mason vs Godzilla\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N
Dialogue: 0,0:02:06.00,0:02:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Perry Mason vs Godzilla\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Raymond Bar? Oh the strobbing\Nis going to be really bad in\Nthis. My eyes.\N\N
Dialogue: 0,0:02:15.00,0:02:43.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}holy gods this second feature\Nis gonna be a travestyi can't\Nwait :D\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N
Dialogue: 0,0:02:43.00,0:02:46.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}Here for and how about\Nsomebody just let me know\Nwhen the strobing stops\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}holy gods this second feature\Nis gonna be a travestyi can't\Nwait :D\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N{\c&HE9F65B&}Peter Ries \N{\c&HFFFFFF&}Thank you to everyone who\Nmakes this happen every\NSunday. Y'all so totally\Nrock. I'm getting used to the\Nmovies not doing the same.\N:blobcatmeltthumbsup:\N\N
Dialogue: 0,0:02:46.00,0:02:47.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@peterries yessss\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}Here for and how about\Nsomebody just let me know\Nwhen the strobing stops\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}holy gods this second feature\Nis gonna be a travestyi can't\Nwait :D\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N
Dialogue: 0,0:02:47.00,0:02:56.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}bonus E-Rotic - King Kong\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@peterries yessss\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}Here for and how about\Nsomebody just let me know\Nwhen the strobing stops\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}holy gods this second feature\Nis gonna be a travestyi can't\Nwait :D\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N
Dialogue: 0,0:02:56.00,0:03:11.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@banderkat That castle is\Nbetter than every set in this\Nfilm.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}bonus E-Rotic - King Kong\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@peterries yessss\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}Here for and how about\Nsomebody just let me know\Nwhen the strobing stops\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}holy gods this second feature\Nis gonna be a travestyi can't\Nwait :D\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N{\c&H6B77A6&}Jason Parker (he/they)\N{\c&HFFFFFF&}Thanks everyone and thanks\N@Taweret ! I've had to miss\Nout for a while, and it's\Ngood to be back to some\Namount of normalcy.This was\Nalso a great test of the\Nrecovery progress of my\Ninstance. Two-way delivery\Nseems just fine.\N\N
Dialogue: 0,0:03:11.00,0:03:16.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HC8A098&}Softwarewolf\N{\c&HFFFFFF&}@Taweret No bears were harmed\Nin the making of this sequel.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@kcarr2015\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@banderkat That castle is\Nbetter than every set in this\Nfilm.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}bonus E-Rotic - King Kong\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@peterries yessss\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}Here for and how about\Nsomebody just let me know\Nwhen the strobing stops\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}holy gods this second feature\Nis gonna be a travestyi can't\Nwait :D\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@Newpa_Hasai It was in fact\Nsurprisingly horny.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@klu9 @miru Si, anche io!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@moira @Taweret @miru Yeah\Ntrue, although IMO reusing\Nfootage kinda contributes to\Nthe vibeSame reason I "love"\NTurkish Star Wars so much\N\N
Dialogue: 0,0:03:16.00,0:03:24.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H667BA4&}jadebees\N{\c&HFFFFFF&}And Hercules and Urania fuck\Noff into the sea of stars.\Nhad some cool visuals and\Nmonsters. A lot of crazy\Nhappened but I wish the movie\Ndidn't feel the need to\Ndisrespect the audience with\Nall that exposition and\Nrepetition. I did like the\Nway the seven thunderbolt\Nquest creates a framework for\Nus have a good time with the\NHercules mythos.A very silly\Nmovie and a fun !\N\N{\c&HC8A098&}Softwarewolf\N{\c&HFFFFFF&}@Taweret No bears were harmed\Nin the making of this sequel.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@kcarr2015\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@banderkat That castle is\Nbetter than every set in this\Nfilm.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}bonus E-Rotic - King Kong\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@peterries yessss\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}Here for and how about\Nsomebody just let me know\Nwhen the strobing stops\N\N
Dialogue: 0,0:03:24.00,0:03:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N{\c&H667BA4&}jadebees\N{\c&HFFFFFF&}And Hercules and Urania fuck\Noff into the sea of stars.\Nhad some cool visuals and\Nmonsters. A lot of crazy\Nhappened but I wish the movie\Ndidn't feel the need to\Ndisrespect the audience with\Nall that exposition and\Nrepetition. I did like the\Nway the seven thunderbolt\Nquest creates a framework for\Nus have a good time with the\NHercules mythos.A very silly\Nmovie and a fun !\N\N
Dialogue: 0,0:03:58.00,0:04:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N{\c&H667BA4&}jadebees\N{\c&HFFFFFF&}And Hercules and Urania fuck\Noff into the sea of stars.\Nhad some cool visuals and\Nmonsters. A lot of crazy\Nhappened but I wish the movie\Ndidn't feel the need to\Ndisrespect the audience with\Nall that exposition and\Nrepetition. I did like the\Nway the seven thunderbolt\Nquest creates a framework for\Nus have a good time with the\NHercules mythos.A very silly\Nmovie and a fun !\N\N
Dialogue: 0,0:04:01.00,0:04:03.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N{\c&H667BA4&}jadebees\N{\c&HFFFFFF&}And Hercules and Urania fuck\Noff into the sea of stars.\Nhad some cool visuals and\Nmonsters. A lot of crazy\Nhappened but I wish the movie\Ndidn't feel the need to\Ndisrespect the audience with\Nall that exposition and\Nrepetition. I did like the\Nway the seven thunderbolt\Nquest creates a framework for\Nus have a good time with the\NHercules mythos.A very silly\Nmovie and a fun !\N\N
Dialogue: 0,0:04:03.00,0:04:22.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N
Dialogue: 0,0:04:22.00,0:04:25.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N
Dialogue: 0,0:04:25.00,0:04:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N
Dialogue: 0,0:04:36.00,0:04:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Nope, no teaser.Big thanks to\N@Taweret for this classic\NItalian cinematic treat. I'd\Nnever seen this one before!No\Nsmoking, no coffee. Nearly\Neight minutes of opening\Ncredits. And, a very slow\Nstart.Lots of Lou Ferrigno\Nflexing.Skimpy outfits all\Naround, except for the gods\Nand Minos (who does indeed\Nlook like a playing\Ncard).Pixies handing out\Ndrugs and advice.A lack of\Ncool robot monsters (unlike\Nthe prequel). Trippy animated\Nclimatic fight.Extreme\Nviolence inflicted on\Nclassical mythology.Yeah,\Nthis was a win.\N\N
Dialogue: 0,0:04:37.00,0:04:44.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona yeh xD\N\N
Dialogue: 0,0:04:44.00,0:04:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@davesdogmaggie yes plz\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N{\c&H927795&}rebeld \N{\c&HFFFFFF&}@catzilla I never did trust\Nthe moon, disappointed but\Nfeels good to have that\Nconfirmed.\N\N
Dialogue: 0,0:04:58.00,0:05:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD792E4&}Lazarou Monkey Terror \N{\c&HFFFFFF&}@YsengrinWolf I hope it's the\Nbear from the first movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@davesdogmaggie yes plz\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}Raymond Burr would often open\Nconversations with 'Did you\Nuse Windex on your pants\Nbecause"\N\N
Dialogue: 0,0:05:01.00,0:05:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N{\c&HD792E4&}Lazarou Monkey Terror \N{\c&HFFFFFF&}@YsengrinWolf I hope it's the\Nbear from the first movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@davesdogmaggie yes plz\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N{\c&HF966D5&}Judgment Dave\N{\c&HFFFFFF&}We have to, HAVE TO, watch\Nthe other two Ferrigno\Nfantasy movies on Tubi this\Nmonth. We deserve it.\N\N
Dialogue: 0,0:05:13.00,0:05:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N{\c&HD792E4&}Lazarou Monkey Terror \N{\c&HFFFFFF&}@YsengrinWolf I hope it's the\Nbear from the first movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@davesdogmaggie yes plz\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}oompa oompa oompa oompa\N\N
Dialogue: 0,0:05:15.00,0:05:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N{\c&HD792E4&}Lazarou Monkey Terror \N{\c&HFFFFFF&}@YsengrinWolf I hope it's the\Nbear from the first movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@davesdogmaggie yes plz\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}Anyway, this is Alpha Control\Nsaying good job team, another\Nmovie yeeted into space. And\Nthanks as always to @Taweret\Nfor hosting!\N\N
Dialogue: 0,0:05:42.00,0:05:44.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N{\c&HD792E4&}Lazarou Monkey Terror \N{\c&HFFFFFF&}@YsengrinWolf I hope it's the\Nbear from the first movie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@davesdogmaggie yes plz\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@ryan @miru Thanks, wasn't\Nsure if it was me or\Nsomething else.BTW the Miru\Nstream was very good for me\Ntonight, I watched it instead\Nof Plex\N\N
Dialogue: 0,0:05:44.00,0:05:46.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N{\c&HD792E4&}Lazarou Monkey Terror \N{\c&HFFFFFF&}@YsengrinWolf I hope it's the\Nbear from the first movie\N\N
Dialogue: 0,0:05:46.00,0:06:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N
Dialogue: 0,0:06:12.00,0:06:35.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Well, I'll leave y'all to\Nenjoy the movie :)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}LOOK at 1:14:36 they show\Nsomeone ELSE traveling by\Nyeet-propelled boulder\Nchariot. so YES throwing a\Nboulder into space when it is\Ntied to something is a\Ncanonical mode of transit in\Nthis universe\N\N
Dialogue: 0,0:06:35.00,0:06:50.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona What have you got\Nagainst ?!?!\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Well, I'll leave y'all to\Nenjoy the movie :)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}Meanwhile, back on Earth...\N\N
Dialogue: 0,0:06:50.00,0:06:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}I'm so confused is this the\Nmovie or a preroll or what\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona What have you got\Nagainst ?!?!\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Well, I'll leave y'all to\Nenjoy the movie :)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@jonny hahahahaha amazing\N\N
Dialogue: 0,0:06:55.00,0:07:10.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}This synth track is actually\Nreally cool\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}I'm so confused is this the\Nmovie or a preroll or what\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona What have you got\Nagainst ?!?!\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Well, I'll leave y'all to\Nenjoy the movie :)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N
Dialogue: 0,0:07:10.00,0:07:22.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira You didn't think any\Nof the rebelling goddesses\Nwere kinda pushy?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}This synth track is actually\Nreally cool\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}I'm so confused is this the\Nmovie or a preroll or what\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona What have you got\Nagainst ?!?!\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Well, I'll leave y'all to\Nenjoy the movie :)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N{\c&HC563CD&}Laurel Stvan\N{\c&HFFFFFF&}“There, that wasn't very\Ngood now, was it?” But I\Nguess we knew that going in .\NThanks for gathering the\Ntroops @Taweret And for the\Nsupport @Cherizilla and\N@JoeWynne Always a fun\N\N
Dialogue: 0,0:07:22.00,0:07:35.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Well, this is already both\Nsurreal and in extremely bad\Ntaste.\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira You didn't think any\Nof the rebelling goddesses\Nwere kinda pushy?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}This synth track is actually\Nreally cool\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}I'm so confused is this the\Nmovie or a preroll or what\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona What have you got\Nagainst ?!?!\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}Well, I'll leave y'all to\Nenjoy the movie :)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I am using as the double\Nfeature hashtag and nobody\Ncan stop me\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Haven't the people of\NHiroshima suffered enough,\Nwithout a radioactive monster\Nbeing created?""This is a\Npre-emptive strike for them\Ncancelling all my favourite\Nanime after just one or two\Nshort seasons."\N\N
Dialogue: 0,0:07:35.00,0:07:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}For those of you scrolling\Nthrough your timeline, you're\Nabout to hit a big mass of\NMonsterdon postings about The\NAdventures of Hercules (1985)\Nand the second, Wrong Frogs\Nfeature.Should you not wish\Nto read through them, here's\Nhow to filter them out, at\Nleast on the web browser:1)\Nright click on the gears &\Nopen in a new tab2) choose\N"Filters" then "Add New\NFilter"3) give the filter a\Ntitle, check all boxes under\Ncontexts, choose hide\Ncompletely and put "" in the\Nkeyword box.4) Click on "Save\NNew Filter"... and you're\Ndone.\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Well, this is already both\Nsurreal and in extremely bad\Ntaste.\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira You didn't think any\Nof the rebelling goddesses\Nwere kinda pushy?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}This synth track is actually\Nreally cool\N\N{\c&H8EE3C4&}starkraving666\N{\c&HFFFFFF&}I'm so confused is this the\Nmovie or a preroll or what\N\N
Dialogue: 0,0:07:55.00,0:08:11.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}For those of you scrolling\Nthrough your timeline, you're\Nabout to hit a big mass of\NMonsterdon postings about The\NAdventures of Hercules (1985)\Nand the second, Wrong Frogs\Nfeature.Should you not wish\Nto read through them, here's\Nhow to filter them out, at\Nleast on the web browser:1)\Nright click on the gears &\Nopen in a new tab2) choose\N"Filters" then "Add New\NFilter"3) give the filter a\Ntitle, check all boxes under\Ncontexts, choose hide\Ncompletely and put "" in the\Nkeyword box.4) Click on "Save\NNew Filter"... and you're\Ndone.\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Well, this is already both\Nsurreal and in extremely bad\Ntaste.\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira You didn't think any\Nof the rebelling goddesses\Nwere kinda pushy?\N\N
Dialogue: 0,0:08:11.00,0:08:31.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}For those of you scrolling\Nthrough your timeline, you're\Nabout to hit a big mass of\NMonsterdon postings about The\NAdventures of Hercules (1985)\Nand the second, Wrong Frogs\Nfeature.Should you not wish\Nto read through them, here's\Nhow to filter them out, at\Nleast on the web browser:1)\Nright click on the gears &\Nopen in a new tab2) choose\N"Filters" then "Add New\NFilter"3) give the filter a\Ntitle, check all boxes under\Ncontexts, choose hide\Ncompletely and put "" in the\Nkeyword box.4) Click on "Save\NNew Filter"... and you're\Ndone.\N\N
Dialogue: 0,0:08:31.00,0:08:47.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}For those of you scrolling\Nthrough your timeline, you're\Nabout to hit a big mass of\NMonsterdon postings about The\NAdventures of Hercules (1985)\Nand the second, Wrong Frogs\Nfeature.Should you not wish\Nto read through them, here's\Nhow to filter them out, at\Nleast on the web browser:1)\Nright click on the gears &\Nopen in a new tab2) choose\N"Filters" then "Add New\NFilter"3) give the filter a\Ntitle, check all boxes under\Ncontexts, choose hide\Ncompletely and put "" in the\Nkeyword box.4) Click on "Save\NNew Filter"... and you're\Ndone.\N\N
Dialogue: 0,0:08:47.00,0:09:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}For those of you scrolling\Nthrough your timeline, you're\Nabout to hit a big mass of\NMonsterdon postings about The\NAdventures of Hercules (1985)\Nand the second, Wrong Frogs\Nfeature.Should you not wish\Nto read through them, here's\Nhow to filter them out, at\Nleast on the web browser:1)\Nright click on the gears &\Nopen in a new tab2) choose\N"Filters" then "Add New\NFilter"3) give the filter a\Ntitle, check all boxes under\Ncontexts, choose hide\Ncompletely and put "" in the\Nkeyword box.4) Click on "Save\NNew Filter"... and you're\Ndone.\N\N
Dialogue: 0,0:09:00.00,0:09:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N{\c&HFFC5E7&}Ysengrin Blackpaw  AnthrOhio\N{\c&HFFFFFF&}For those of you scrolling\Nthrough your timeline, you're\Nabout to hit a big mass of\NMonsterdon postings about The\NAdventures of Hercules (1985)\Nand the second, Wrong Frogs\Nfeature.Should you not wish\Nto read through them, here's\Nhow to filter them out, at\Nleast on the web browser:1)\Nright click on the gears &\Nopen in a new tab2) choose\N"Filters" then "Add New\NFilter"3) give the filter a\Ntitle, check all boxes under\Ncontexts, choose hide\Ncompletely and put "" in the\Nkeyword box.4) Click on "Save\NNew Filter"... and you're\Ndone.\N\N
Dialogue: 0,0:09:20.00,0:09:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N
Dialogue: 0,0:09:41.00,0:09:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This opening is like the\Nequivalent of 10 minutes of\Nnarration, except that,\Ny'know, you don't have any\N\N
Dialogue: 0,0:09:55.00,0:10:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 wait is that its\Nofficial title or something?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N
Dialogue: 0,0:10:15.00,0:10:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@diazona Not our first rodeo\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 wait is that its\Nofficial title or something?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N{\c&H8BE2CB&}Louisa\N{\c&HFFFFFF&}just imagine living your\Nnormal 1985 life, maybe\Ntaking a walk in the\NItalian(?) woodlands, and you\Ncome across those three\Nactors in the leather\Nunderwear\N\N
Dialogue: 0,0:10:51.00,0:10:52.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}OH FATHER TIME!!!!!\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@diazona Not our first rodeo\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 wait is that its\Nofficial title or something?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N
Dialogue: 0,0:10:52.00,0:11:04.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Our protagonist is the\Nsinger of "King Tut"?\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}OH FATHER TIME!!!!!\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@diazona Not our first rodeo\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 wait is that its\Nofficial title or something?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So, is this foreshadowing?\NDoes Godzilla get defeated by\Nclouds of cyanide gas this\Nmovie?\N\N{\c&HE83457&}Log \N{\c&HFFFFFF&}@Newpa_Hasai Yeah, as horny\Nas it could get with the\Nratings board watching. They\Nmight have fallen asleep at\Nsome point.\N\N
Dialogue: 0,0:11:04.00,0:11:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb Apparently, cinema\Nchains in Italy in the 70s\Nwouldn't accept any feature\Nfilm under 90 minutes or\Nblack & white, so Cozzi had\Nto colourize it & pad it out\N(original Godzilla was 80\Nminutes).He ended up padding\Nit out to 105 minutes\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Our protagonist is the\Nsinger of "King Tut"?\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}OH FATHER TIME!!!!!\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@diazona Not our first rodeo\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 wait is that its\Nofficial title or something?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N{\c&H90C8C2&}bunnyhero\N{\c&HFFFFFF&}wish i could stay up for the\Nunofficial because i've\Nwanted to see this for some\Ntime! i might catch the first\Nfew minutes though\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}Excessive credits, no?\N\N
Dialogue: 0,0:11:21.00,0:11:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb Apparently, cinema\Nchains in Italy in the 70s\Nwouldn't accept any feature\Nfilm under 90 minutes or\Nblack & white, so Cozzi had\Nto colourize it & pad it out\N(original Godzilla was 80\Nminutes).He ended up padding\Nit out to 105 minutes\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Our protagonist is the\Nsinger of "King Tut"?\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}OH FATHER TIME!!!!!\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@diazona Not our first rodeo\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@klu9 wait is that its\Nofficial title or something?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@allanb Hmm now where have we\Nseen that before\N\N
Dialogue: 0,0:11:27.00,0:11:34.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb Apparently, cinema\Nchains in Italy in the 70s\Nwouldn't accept any feature\Nfilm under 90 minutes or\Nblack & white, so Cozzi had\Nto colourize it & pad it out\N(original Godzilla was 80\Nminutes).He ended up padding\Nit out to 105 minutes\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Our protagonist is the\Nsinger of "King Tut"?\N\N{\c&H5B6BBF&}jonny (good kind)\N{\c&HFFFFFF&}OH FATHER TIME!!!!!\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@diazona Not our first rodeo\N\N
Dialogue: 0,0:11:34.00,0:11:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb Apparently, cinema\Nchains in Italy in the 70s\Nwouldn't accept any feature\Nfilm under 90 minutes or\Nblack & white, so Cozzi had\Nto colourize it & pad it out\N(original Godzilla was 80\Nminutes).He ended up padding\Nit out to 105 minutes\N\N
Dialogue: 0,0:11:51.00,0:12:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}This first Godzilla is so\Ndepressing\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb Apparently, cinema\Nchains in Italy in the 70s\Nwouldn't accept any feature\Nfilm under 90 minutes or\Nblack & white, so Cozzi had\Nto colourize it & pad it out\N(original Godzilla was 80\Nminutes).He ended up padding\Nit out to 105 minutes\N\N
Dialogue: 0,0:12:20.00,0:12:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA24B5F&}rk: its hyphen-minus actually\N{\c&HFFFFFF&}Luigi Cozzi’s Cozzilla\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}This first Godzilla is so\Ndepressing\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb Apparently, cinema\Nchains in Italy in the 70s\Nwouldn't accept any feature\Nfilm under 90 minutes or\Nblack & white, so Cozzi had\Nto colourize it & pad it out\N(original Godzilla was 80\Nminutes).He ended up padding\Nit out to 105 minutes\N\N
Dialogue: 0,0:12:21.00,0:12:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N{\c&HA24B5F&}rk: its hyphen-minus actually\N{\c&HFFFFFF&}Luigi Cozzi’s Cozzilla\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}This first Godzilla is so\Ndepressing\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N
Dialogue: 0,0:12:27.00,0:12:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N{\c&HA24B5F&}rk: its hyphen-minus actually\N{\c&HFFFFFF&}Luigi Cozzi’s Cozzilla\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}This first Godzilla is so\Ndepressing\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Luigi Cozzi making GODZILLA\N(1977): nobody ever gonna\Nforget the name of Luigi\NCozzi. oh! I'm gonna make a\Nmovie about itwell, you're\Nnot wrong pal, people *are*\Ngoing to remember this work\Nyou're about to excrete onto\Nthe market\N\N
Dialogue: 0,0:12:54.00,0:12:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona No, but a lot of\Nfolks refer to it like that\Ne.e uploads on Internet\NArchive & Youtube\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N{\c&HA24B5F&}rk: its hyphen-minus actually\N{\c&HFFFFFF&}Luigi Cozzi’s Cozzilla\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}This first Godzilla is so\Ndepressing\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Leave the color on? Or turn\Nthe saturation all the way\Ndown so it’s black and\Nwhite?\N\N
Dialogue: 0,0:12:55.00,0:13:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}If you have any questions\Nabout tonight’s film,\Nsimply book a trip to Rome\Nand visit director Luigi\NCozzi at his store, Profondo\NRosso.\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona No, but a lot of\Nfolks refer to it like that\Ne.e uploads on Internet\NArchive & Youtube\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N{\c&HA24B5F&}rk: its hyphen-minus actually\N{\c&HFFFFFF&}Luigi Cozzi’s Cozzilla\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}This first Godzilla is so\Ndepressing\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}The idea of adding gel colors\Nover a black and white movie\Nisn't the worst artistic\Nvision. However it's very\Nsloppy and makes the movie\Ndarker and blurrier so harder\Nto look at.\N\N
Dialogue: 0,0:13:00.00,0:13:11.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}If you have any questions\Nabout tonight’s film,\Nsimply book a trip to Rome\Nand visit director Luigi\NCozzi at his store, Profondo\NRosso.\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona No, but a lot of\Nfolks refer to it like that\Ne.e uploads on Internet\NArchive & Youtube\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N{\c&HA24B5F&}rk: its hyphen-minus actually\N{\c&HFFFFFF&}Luigi Cozzi’s Cozzilla\N\N
Dialogue: 0,0:13:11.00,0:13:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Very convincing colorization.\NI would never have known the\Noriginal was black and white.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}If you have any questions\Nabout tonight’s film,\Nsimply book a trip to Rome\Nand visit director Luigi\NCozzi at his store, Profondo\NRosso.\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona No, but a lot of\Nfolks refer to it like that\Ne.e uploads on Internet\NArchive & Youtube\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N
Dialogue: 0,0:13:21.00,0:13:24.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Jesus, that's\Ngovernment mandates for you!\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Very convincing colorization.\NI would never have known the\Noriginal was black and white.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}If you have any questions\Nabout tonight’s film,\Nsimply book a trip to Rome\Nand visit director Luigi\NCozzi at his store, Profondo\NRosso.\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona No, but a lot of\Nfolks refer to it like that\Ne.e uploads on Internet\NArchive & Youtube\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N{\c&HA98EA5&}TrsFluke\N{\c&HFFFFFF&}For a brief moment, the music\Nwas encroaching on John\NWilliams' turf - I was\Nhearing a bit of "Superman's\Ntheme".@Taweret Thanks again\Nfor keeping us entertained.\N\N
Dialogue: 0,0:13:24.00,0:13:25.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Oh I see, they still have 10\Nminutes of narration but they\N*waited* for it\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Jesus, that's\Ngovernment mandates for you!\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Very convincing colorization.\NI would never have known the\Noriginal was black and white.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}If you have any questions\Nabout tonight’s film,\Nsimply book a trip to Rome\Nand visit director Luigi\NCozzi at his store, Profondo\NRosso.\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona No, but a lot of\Nfolks refer to it like that\Ne.e uploads on Internet\NArchive & Youtube\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Luigi Cozzi made his Godzilla\Nversion under the COZILLA\Ns.r.l. production company.\NHeh.\N\N
Dialogue: 0,0:13:25.00,0:13:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}by the way here was my card\Nfor THE ADVENTURES OF\NHERCULES. I can probably mark\Na few more of these but eh, I\Ndon't see any justifiable\Nbingo that matches my\Npersonal watching experience\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Oh I see, they still have 10\Nminutes of narration but they\N*waited* for it\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Jesus, that's\Ngovernment mandates for you!\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Very convincing colorization.\NI would never have known the\Noriginal was black and white.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}If you have any questions\Nabout tonight’s film,\Nsimply book a trip to Rome\Nand visit director Luigi\NCozzi at his store, Profondo\NRosso.\N\N
Dialogue: 0,0:13:55.00,0:14:07.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@jonny Daedalus, " Anything\Nyou can do, science can do\Nbetter!" Zeus, "You are only\Nbetter at one thing."\NDaedalus, "What's that?"\NZeus, "DYING!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}by the way here was my card\Nfor THE ADVENTURES OF\NHERCULES. I can probably mark\Na few more of these but eh, I\Ndon't see any justifiable\Nbingo that matches my\Npersonal watching experience\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Oh I see, they still have 10\Nminutes of narration but they\N*waited* for it\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Jesus, that's\Ngovernment mandates for you!\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Very convincing colorization.\NI would never have known the\Noriginal was black and white.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N
Dialogue: 0,0:14:07.00,0:14:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb I don't know if it\Nwas government as opposed to\Nbusiness\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@jonny Daedalus, " Anything\Nyou can do, science can do\Nbetter!" Zeus, "You are only\Nbetter at one thing."\NDaedalus, "What's that?"\NZeus, "DYING!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}by the way here was my card\Nfor THE ADVENTURES OF\NHERCULES. I can probably mark\Na few more of these but eh, I\Ndon't see any justifiable\Nbingo that matches my\Npersonal watching experience\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Oh I see, they still have 10\Nminutes of narration but they\N*waited* for it\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Jesus, that's\Ngovernment mandates for you!\N\N{\c&HC58AF8&}Prof. Rachel Thorn \N{\c&HFFFFFF&}Very convincing colorization.\NI would never have known the\Noriginal was black and white.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}It's a good thing Godzilla\Nspared him, otherwise he\Nwouldn't've been able to save\Na Mexican village from the\Ninfamous El Guapo.\N\N
Dialogue: 0,0:14:39.00,0:14:52.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb I don't know if it\Nwas government as opposed to\Nbusiness\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@jonny Daedalus, " Anything\Nyou can do, science can do\Nbetter!" Zeus, "You are only\Nbetter at one thing."\NDaedalus, "What's that?"\NZeus, "DYING!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}by the way here was my card\Nfor THE ADVENTURES OF\NHERCULES. I can probably mark\Na few more of these but eh, I\Ndon't see any justifiable\Nbingo that matches my\Npersonal watching experience\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Oh I see, they still have 10\Nminutes of narration but they\N*waited* for it\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Jesus, that's\Ngovernment mandates for you!\N\N
Dialogue: 0,0:14:52.00,0:15:07.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb I don't know if it\Nwas government as opposed to\Nbusiness\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@jonny Daedalus, " Anything\Nyou can do, science can do\Nbetter!" Zeus, "You are only\Nbetter at one thing."\NDaedalus, "What's that?"\NZeus, "DYING!"\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}by the way here was my card\Nfor THE ADVENTURES OF\NHERCULES. I can probably mark\Na few more of these but eh, I\Ndon't see any justifiable\Nbingo that matches my\Npersonal watching experience\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Oh I see, they still have 10\Nminutes of narration but they\N*waited* for it\N\N
Dialogue: 0,0:15:07.00,0:15:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb I don't know if it\Nwas government as opposed to\Nbusiness\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@jonny Daedalus, " Anything\Nyou can do, science can do\Nbetter!" Zeus, "You are only\Nbetter at one thing."\NDaedalus, "What's that?"\NZeus, "DYING!"\N\N
Dialogue: 0,0:15:12.00,0:16:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@allanb I don't know if it\Nwas government as opposed to\Nbusiness\N\N
Dialogue: 0,0:16:00.00,0:16:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N
Dialogue: 0,0:16:21.00,0:16:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N
Dialogue: 0,0:16:27.00,0:16:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"A few days earlier, I'd been\Nflying to meet my scientist\Nfriend. I was going to ask\Nhim about the possibility of\Ntransferring another brain\Ninto my good-for-nothing\Nwife's body."\N\N
Dialogue: 0,0:16:37.00,0:16:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @jonny ooooh\Nsnap\N\N
Dialogue: 0,0:16:42.00,0:17:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N
Dialogue: 0,0:17:00.00,0:17:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N
Dialogue: 0,0:17:20.00,0:17:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}"My name is Steve Martin"\NPerry Mason laying on a\Nstretcher with an\NArrow-through-the-head prop\Nand mumbling in Italian. I\Nknow this is (WAS) a very\Nserious film but between that\Nand the "Window on the dick"\Ncredit I'm having problems\Nstaying with it\N\N
Dialogue: 0,0:17:36.00,0:17:53.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}So this is just an italian\Ndub and re-edit of Godzilla,\Nwith ... are these color gel\Neffects deliberate? Or is it\Nthat an effect from too many\Ntelecines? Or what?\N\N
Dialogue: 0,0:17:53.00,0:17:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}Thank you @Taweret for a\Nloopy silly ride :)\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}This was objectively bad\Nparenting by Hera.\N\N
Dialogue: 0,0:17:58.00,0:18:08.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"non capisco"yea me neither\Npal\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Thank you @Taweret for a\Nloopy silly ride :)\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Are you Steve Martin? Could\Nyou sign my dapper hat?"\N\N
Dialogue: 0,0:18:08.00,0:18:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@plaidtron3000 Deliberate? We\Nthink?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"non capisco"yea me neither\Npal\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Thank you @Taweret for a\Nloopy silly ride :)\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Dr. Serizawa famously the\Nkind of man who would have an\Nassistant working with him\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Yeah, true.\N\N
Dialogue: 0,0:18:33.00,0:18:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Not sure why a theater\Nwould want people occupying\Nseats for longer periods of\Ntime though. It sounds like a\Npush to prevent patrons from\Ngetting ripped-off by\Noverly-short B&W films, but\Nwho knows\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@plaidtron3000 Deliberate? We\Nthink?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"non capisco"yea me neither\Npal\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Thank you @Taweret for a\Nloopy silly ride :)\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}keep hearing the Perry Mason\Nsoundtrack over this.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Feels like a Dash Shaw\Ngraphic novel\N\N
Dialogue: 0,0:18:38.00,0:19:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kinda trippy to see all the\Nclearly non-Italian people in\Nthis movie speaking Italian(I\Nget why they do it, but\Nstill)\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Not sure why a theater\Nwould want people occupying\Nseats for longer periods of\Ntime though. It sounds like a\Npush to prevent patrons from\Ngetting ripped-off by\Noverly-short B&W films, but\Nwho knows\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@plaidtron3000 Deliberate? We\Nthink?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"non capisco"yea me neither\Npal\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Thank you @Taweret for a\Nloopy silly ride :)\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Was this colorized with\Nwatercolors, then bleached?\N\N
Dialogue: 0,0:19:20.00,0:19:35.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Looks like it\Nwas just slop-tinted so they\Ncould pass it off as a\N"color" film\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kinda trippy to see all the\Nclearly non-Italian people in\Nthis movie speaking Italian(I\Nget why they do it, but\Nstill)\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Not sure why a theater\Nwould want people occupying\Nseats for longer periods of\Ntime though. It sounds like a\Npush to prevent patrons from\Ngetting ripped-off by\Noverly-short B&W films, but\Nwho knows\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@plaidtron3000 Deliberate? We\Nthink?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"non capisco"yea me neither\Npal\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Thank you @Taweret for a\Nloopy silly ride :)\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}I am digging how the italian\Ntranslator got some of Burr's\Nspeech manorisms in their\Ndub.\N\N
Dialogue: 0,0:19:35.00,0:20:24.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}so wait, is the American\Nversion just scenes of Perry\NMason being inserted into\NGojira as if it's Jimmy\NStewart and the goofy angel\Nin "It's a Wonderful Life?"\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Looks like it\Nwas just slop-tinted so they\Ncould pass it off as a\N"color" film\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kinda trippy to see all the\Nclearly non-Italian people in\Nthis movie speaking Italian(I\Nget why they do it, but\Nstill)\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Not sure why a theater\Nwould want people occupying\Nseats for longer periods of\Ntime though. It sounds like a\Npush to prevent patrons from\Ngetting ripped-off by\Noverly-short B&W films, but\Nwho knows\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@plaidtron3000 Deliberate? We\Nthink?\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"non capisco"yea me neither\Npal\N\N
Dialogue: 0,0:20:24.00,0:20:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}The photos of Luigi Cozzi’s\NProfondo Rosso store on\NGoogle Maps are really\Nsomething. I guess it’s\Npart store, part museum.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}so wait, is the American\Nversion just scenes of Perry\NMason being inserted into\NGojira as if it's Jimmy\NStewart and the goofy angel\Nin "It's a Wonderful Life?"\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Looks like it\Nwas just slop-tinted so they\Ncould pass it off as a\N"color" film\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kinda trippy to see all the\Nclearly non-Italian people in\Nthis movie speaking Italian(I\Nget why they do it, but\Nstill)\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@klu9 Not sure why a theater\Nwould want people occupying\Nseats for longer periods of\Ntime though. It sounds like a\Npush to prevent patrons from\Ngetting ripped-off by\Noverly-short B&W films, but\Nwho knows\N\N
Dialogue: 0,0:20:41.00,0:21:04.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}The photos of Luigi Cozzi’s\NProfondo Rosso store on\NGoogle Maps are really\Nsomething. I guess it’s\Npart store, part museum.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}so wait, is the American\Nversion just scenes of Perry\NMason being inserted into\NGojira as if it's Jimmy\NStewart and the goofy angel\Nin "It's a Wonderful Life?"\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Looks like it\Nwas just slop-tinted so they\Ncould pass it off as a\N"color" film\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kinda trippy to see all the\Nclearly non-Italian people in\Nthis movie speaking Italian(I\Nget why they do it, but\Nstill)\N\N
Dialogue: 0,0:21:04.00,0:21:34.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}The photos of Luigi Cozzi’s\NProfondo Rosso store on\NGoogle Maps are really\Nsomething. I guess it’s\Npart store, part museum.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}so wait, is the American\Nversion just scenes of Perry\NMason being inserted into\NGojira as if it's Jimmy\NStewart and the goofy angel\Nin "It's a Wonderful Life?"\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Looks like it\Nwas just slop-tinted so they\Ncould pass it off as a\N"color" film\N\N
Dialogue: 0,0:21:34.00,0:21:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Watching an Italian Guy's\Nidea of an American Guy\Nwatching the events of\NGODZILLA (1957) and also some\Nsnuff footage, the GODZILLA\N(1977) experience\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}The photos of Luigi Cozzi’s\NProfondo Rosso store on\NGoogle Maps are really\Nsomething. I guess it’s\Npart store, part museum.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}so wait, is the American\Nversion just scenes of Perry\NMason being inserted into\NGojira as if it's Jimmy\NStewart and the goofy angel\Nin "It's a Wonderful Life?"\N\N
Dialogue: 0,0:21:51.00,0:22:29.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}the titles have a star\Nwarsesque feel to me\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Watching an Italian Guy's\Nidea of an American Guy\Nwatching the events of\NGODZILLA (1957) and also some\Nsnuff footage, the GODZILLA\N(1977) experience\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}The photos of Luigi Cozzi’s\NProfondo Rosso store on\NGoogle Maps are really\Nsomething. I guess it’s\Npart store, part museum.\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}so wait, is the American\Nversion just scenes of Perry\NMason being inserted into\NGojira as if it's Jimmy\NStewart and the goofy angel\Nin "It's a Wonderful Life?"\N\N
Dialogue: 0,0:22:29.00,0:22:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}the titles have a star\Nwarsesque feel to me\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Watching an Italian Guy's\Nidea of an American Guy\Nwatching the events of\NGODZILLA (1957) and also some\Nsnuff footage, the GODZILLA\N(1977) experience\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N
Dialogue: 0,0:22:38.00,0:22:59.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@philsawa It's something, for\Nsure\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}the titles have a star\Nwarsesque feel to me\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Watching an Italian Guy's\Nidea of an American Guy\Nwatching the events of\NGODZILLA (1957) and also some\Nsnuff footage, the GODZILLA\N(1977) experience\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 It does at\Nleast seem to be a new movie\Nfor the most part, not a\Nre-edit. Most of this wasn't\Nin the OG.\N\N
Dialogue: 0,0:22:59.00,0:23:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@philsawa It's something, for\Nsure\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}the titles have a star\Nwarsesque feel to me\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Watching an Italian Guy's\Nidea of an American Guy\Nwatching the events of\NGODZILLA (1957) and also some\Nsnuff footage, the GODZILLA\N(1977) experience\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@ohiofi @plaidtron3000 You\Ncan never really tell with a\Nmovie\N\N
Dialogue: 0,0:23:01.00,0:24:06.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@philsawa It's something, for\Nsure\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}the titles have a star\Nwarsesque feel to me\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}Watching an Italian Guy's\Nidea of an American Guy\Nwatching the events of\NGODZILLA (1957) and also some\Nsnuff footage, the GODZILLA\N(1977) experience\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}oh ya, this is gonna be good\Ni can already tell the 1st\Ngolden drone\N\N
Dialogue: 0,0:24:06.00,0:24:14.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@philsawa It's something, for\Nsure\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}the titles have a star\Nwarsesque feel to me\N\N
Dialogue: 0,0:24:14.00,0:24:19.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@philsawa It's something, for\Nsure\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N
Dialogue: 0,0:24:19.00,0:24:34.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@philsawa It's something, for\Nsure\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Do you really think a\Nmonster could be behind these\Ndisasters?""That or John\NCandy trying to steal your\Ncab. We'll have to see what\Nhappens on your coach-trip".\N\N
Dialogue: 0,0:24:34.00,0:24:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N
Dialogue: 0,0:24:39.00,0:24:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@bryanhowell So this is the\N“Godzilla: Final Wars” of\Ncostumes.\N\N
Dialogue: 0,0:24:41.00,0:24:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@ohiofi Yeah, IMDB says it\Nwas a directorial choice to\Nput gels over the film. Mind\Nboggling.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}So... Sounds like the dictum\N"show, don't tell" didn't\Nmake it to Italian\Nrepackaging of foreign films.\N\N
Dialogue: 0,0:24:42.00,0:25:23.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@ohiofi Yeah, IMDB says it\Nwas a directorial choice to\Nput gels over the film. Mind\Nboggling.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@allanb "slop-tinted" sounds\Nabout right :DBut it also\Nlooks like they took the\NItalian flag, rotated it and\Npainted it over the movie.\NBottom green, top red, middle\Nuntouched. Sometimes\Nreversed.\N\N
Dialogue: 0,0:25:23.00,0:25:45.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}FantastiCozzi, documentary\Nabout tonight's director\NLuigi Cozzi free streaming:\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@ohiofi Yeah, IMDB says it\Nwas a directorial choice to\Nput gels over the film. Mind\Nboggling.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}there's a flaming rainbow\Nsword! ) i think there's a\Nlego piece built in its honor\N\N
Dialogue: 0,0:25:45.00,0:25:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Why do girls always have to\Nbe the sacrifices? None of\Nthese monsters have a taste\Nfor boys? Or better yet,\Npoliticians?\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}FantastiCozzi, documentary\Nabout tonight's director\NLuigi Cozzi free streaming:\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@ohiofi Yeah, IMDB says it\Nwas a directorial choice to\Nput gels over the film. Mind\Nboggling.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}The love triangle may be the\Nmost interesting thing\Nhappening in the movie so far\N\N
Dialogue: 0,0:25:51.00,0:27:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}Pathetic fallacy? Or do\Nmonsters stir from their\Naquatic slumbers because of\Nthe bad weather and tides?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Why do girls always have to\Nbe the sacrifices? None of\Nthese monsters have a taste\Nfor boys? Or better yet,\Npoliticians?\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}FantastiCozzi, documentary\Nabout tonight's director\NLuigi Cozzi free streaming:\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@ohiofi Yeah, IMDB says it\Nwas a directorial choice to\Nput gels over the film. Mind\Nboggling.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @bryanhowell So it's\Nthe best costume then. The\Nmost fun for a viewer up for\Nsome excitement and maybe\Nmadness.\N\N
Dialogue: 0,0:27:15.00,0:27:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Nothing that was hidden will\Nbe revealed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}Pathetic fallacy? Or do\Nmonsters stir from their\Naquatic slumbers because of\Nthe bad weather and tides?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Why do girls always have to\Nbe the sacrifices? None of\Nthese monsters have a taste\Nfor boys? Or better yet,\Npoliticians?\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}FantastiCozzi, documentary\Nabout tonight's director\NLuigi Cozzi free streaming:\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@ohiofi Yeah, IMDB says it\Nwas a directorial choice to\Nput gels over the film. Mind\Nboggling.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Oh good point!\N\N
Dialogue: 0,0:27:57.00,0:28:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}IMDB: "featuring 80 minutes\Nof footage from the original\NGodzilla (1954) and the US\Nversion Godzilla: King of the\NMonsters! (1956) plus 25\Nminutes of WWII newsreel\Nfootage and clips from other\Nmonster 1950's movies"in a\N93-minute film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Nothing that was hidden will\Nbe revealed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}Pathetic fallacy? Or do\Nmonsters stir from their\Naquatic slumbers because of\Nthe bad weather and tides?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Why do girls always have to\Nbe the sacrifices? None of\Nthese monsters have a taste\Nfor boys? Or better yet,\Npoliticians?\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}FantastiCozzi, documentary\Nabout tonight's director\NLuigi Cozzi free streaming:\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N
Dialogue: 0,0:28:27.00,0:28:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"let's wallow in sorrow"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}IMDB: "featuring 80 minutes\Nof footage from the original\NGodzilla (1954) and the US\Nversion Godzilla: King of the\NMonsters! (1956) plus 25\Nminutes of WWII newsreel\Nfootage and clips from other\Nmonster 1950's movies"in a\N93-minute film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Nothing that was hidden will\Nbe revealed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}Pathetic fallacy? Or do\Nmonsters stir from their\Naquatic slumbers because of\Nthe bad weather and tides?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Why do girls always have to\Nbe the sacrifices? None of\Nthese monsters have a taste\Nfor boys? Or better yet,\Npoliticians?\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}FantastiCozzi, documentary\Nabout tonight's director\NLuigi Cozzi free streaming:\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}just stumbled across this\Nfrom an interview with\Ndirector Luigi Cozzi in 2015.\Nsir i just watched your\Nentire video game-ass\Nhercules movie from 1985\N\N
Dialogue: 0,0:28:33.00,0:28:35.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Also, if they\Nmix red and green they get\Nsome brown, which sortof\Nlooks like skin tones. They\Nwould do this trick in\Nprinting stills with purple\Nand orange using two layer\Ncolor separations instead of\N3 or 4 to save money.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"let's wallow in sorrow"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}IMDB: "featuring 80 minutes\Nof footage from the original\NGodzilla (1954) and the US\Nversion Godzilla: King of the\NMonsters! (1956) plus 25\Nminutes of WWII newsreel\Nfootage and clips from other\Nmonster 1950's movies"in a\N93-minute film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Nothing that was hidden will\Nbe revealed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}Pathetic fallacy? Or do\Nmonsters stir from their\Naquatic slumbers because of\Nthe bad weather and tides?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Why do girls always have to\Nbe the sacrifices? None of\Nthese monsters have a taste\Nfor boys? Or better yet,\Npoliticians?\N\N
Dialogue: 0,0:28:35.00,0:28:50.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}The way this is shot reminds\Nme a bit of Throne of Blood.\NJust a little.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Also, if they\Nmix red and green they get\Nsome brown, which sortof\Nlooks like skin tones. They\Nwould do this trick in\Nprinting stills with purple\Nand orange using two layer\Ncolor separations instead of\N3 or 4 to save money.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"let's wallow in sorrow"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}IMDB: "featuring 80 minutes\Nof footage from the original\NGodzilla (1954) and the US\Nversion Godzilla: King of the\NMonsters! (1956) plus 25\Nminutes of WWII newsreel\Nfootage and clips from other\Nmonster 1950's movies"in a\N93-minute film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Nothing that was hidden will\Nbe revealed.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}Pathetic fallacy? Or do\Nmonsters stir from their\Naquatic slumbers because of\Nthe bad weather and tides?\N\N
Dialogue: 0,0:28:50.00,0:29:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@diazona According to IMDB\Nit's a mashup of Godzilla,\Nthe US Godzilla King Of\NMonsters, and 25 minutes of\Nnewsreel and WWII footage.New\Nsoundtrack"Colorization".\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}The way this is shot reminds\Nme a bit of Throne of Blood.\NJust a little.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Also, if they\Nmix red and green they get\Nsome brown, which sortof\Nlooks like skin tones. They\Nwould do this trick in\Nprinting stills with purple\Nand orange using two layer\Ncolor separations instead of\N3 or 4 to save money.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"let's wallow in sorrow"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}IMDB: "featuring 80 minutes\Nof footage from the original\NGodzilla (1954) and the US\Nversion Godzilla: King of the\NMonsters! (1956) plus 25\Nminutes of WWII newsreel\Nfootage and clips from other\Nmonster 1950's movies"in a\N93-minute film\N\N
Dialogue: 0,0:29:37.00,0:30:22.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}okay this is where I admit I\Nhaven't seen GODZILLA: KING\NOF THE MONSTERS! (1956) so\Nsome of my disorientation\Nhere is the rewriting of the\Nstory that is at the core of\N*this* version of the movieso\Nsome of my "WTF" is really\Nattributable to the American\Ncut of the original film, and\Nsome of it lies with Signor\NCozzi's reinterpretation of\Nsame"reporter was there" is\Nnot a bad way to re-spin a\Nfilm for a different audience\Nat the time of the original\Nfilm, and by 1977 Toho was\Nwell-aware of the value of\Ntheir brand, so they had no\Nstrong compulsion to sell off\Nthe original film, I'm sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@diazona According to IMDB\Nit's a mashup of Godzilla,\Nthe US Godzilla King Of\NMonsters, and 25 minutes of\Nnewsreel and WWII footage.New\Nsoundtrack"Colorization".\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}The way this is shot reminds\Nme a bit of Throne of Blood.\NJust a little.\N\N{\c&H475289&}[empty]\N{\c&HFFFFFF&}@combatwombat Also, if they\Nmix red and green they get\Nsome brown, which sortof\Nlooks like skin tones. They\Nwould do this trick in\Nprinting stills with purple\Nand orange using two layer\Ncolor separations instead of\N3 or 4 to save money.\N\N
Dialogue: 0,0:30:22.00,0:30:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 Yeah I figured\Nit out after posting... I'm\Nstarting to remember more of\Nthis now\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}okay this is where I admit I\Nhaven't seen GODZILLA: KING\NOF THE MONSTERS! (1956) so\Nsome of my disorientation\Nhere is the rewriting of the\Nstory that is at the core of\N*this* version of the movieso\Nsome of my "WTF" is really\Nattributable to the American\Ncut of the original film, and\Nsome of it lies with Signor\NCozzi's reinterpretation of\Nsame"reporter was there" is\Nnot a bad way to re-spin a\Nfilm for a different audience\Nat the time of the original\Nfilm, and by 1977 Toho was\Nwell-aware of the value of\Ntheir brand, so they had no\Nstrong compulsion to sell off\Nthe original film, I'm sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}@diazona According to IMDB\Nit's a mashup of Godzilla,\Nthe US Godzilla King Of\NMonsters, and 25 minutes of\Nnewsreel and WWII footage.New\Nsoundtrack"Colorization".\N\N
Dialogue: 0,0:30:33.00,0:30:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"This well is\Ncontaminated...... there\Nappears to be monsterous\Nfootprints."So... Godzilla\Ntook a radioactive piss in\Nit?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 Yeah I figured\Nit out after posting... I'm\Nstarting to remember more of\Nthis now\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}okay this is where I admit I\Nhaven't seen GODZILLA: KING\NOF THE MONSTERS! (1956) so\Nsome of my disorientation\Nhere is the rewriting of the\Nstory that is at the core of\N*this* version of the movieso\Nsome of my "WTF" is really\Nattributable to the American\Ncut of the original film, and\Nsome of it lies with Signor\NCozzi's reinterpretation of\Nsame"reporter was there" is\Nnot a bad way to re-spin a\Nfilm for a different audience\Nat the time of the original\Nfilm, and by 1977 Toho was\Nwell-aware of the value of\Ntheir brand, so they had no\Nstrong compulsion to sell off\Nthe original film, I'm sure\N\N
Dialogue: 0,0:30:39.00,0:31:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}LOL, my wife fell asleep\Nhalfway through, so now\Nwe’re watching the end\Nagain so she can see how it\Nwraps up. It doesn’t make\Nmore sense the second time\Nthrough.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"This well is\Ncontaminated...... there\Nappears to be monsterous\Nfootprints."So... Godzilla\Ntook a radioactive piss in\Nit?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 Yeah I figured\Nit out after posting... I'm\Nstarting to remember more of\Nthis now\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}okay this is where I admit I\Nhaven't seen GODZILLA: KING\NOF THE MONSTERS! (1956) so\Nsome of my disorientation\Nhere is the rewriting of the\Nstory that is at the core of\N*this* version of the movieso\Nsome of my "WTF" is really\Nattributable to the American\Ncut of the original film, and\Nsome of it lies with Signor\NCozzi's reinterpretation of\Nsame"reporter was there" is\Nnot a bad way to re-spin a\Nfilm for a different audience\Nat the time of the original\Nfilm, and by 1977 Toho was\Nwell-aware of the value of\Ntheir brand, so they had no\Nstrong compulsion to sell off\Nthe original film, I'm sure\N\N
Dialogue: 0,0:31:20.00,0:32:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Godzilla's arrival is in\Ntrans flag colors.\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}LOL, my wife fell asleep\Nhalfway through, so now\Nwe’re watching the end\Nagain so she can see how it\Nwraps up. It doesn’t make\Nmore sense the second time\Nthrough.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"This well is\Ncontaminated...... there\Nappears to be monsterous\Nfootprints."So... Godzilla\Ntook a radioactive piss in\Nit?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 Yeah I figured\Nit out after posting... I'm\Nstarting to remember more of\Nthis now\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}okay this is where I admit I\Nhaven't seen GODZILLA: KING\NOF THE MONSTERS! (1956) so\Nsome of my disorientation\Nhere is the rewriting of the\Nstory that is at the core of\N*this* version of the movieso\Nsome of my "WTF" is really\Nattributable to the American\Ncut of the original film, and\Nsome of it lies with Signor\NCozzi's reinterpretation of\Nsame"reporter was there" is\Nnot a bad way to re-spin a\Nfilm for a different audience\Nat the time of the original\Nfilm, and by 1977 Toho was\Nwell-aware of the value of\Ntheir brand, so they had no\Nstrong compulsion to sell off\Nthe original film, I'm sure\N\N
Dialogue: 0,0:32:13.00,0:32:14.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Baby ring my bell!" - These\Nguys. And also Anita Ward.\NShe did it better.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Godzilla's arrival is in\Ntrans flag colors.\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}LOL, my wife fell asleep\Nhalfway through, so now\Nwe’re watching the end\Nagain so she can see how it\Nwraps up. It doesn’t make\Nmore sense the second time\Nthrough.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"This well is\Ncontaminated...... there\Nappears to be monsterous\Nfootprints."So... Godzilla\Ntook a radioactive piss in\Nit?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@plaidtron3000 Yeah I figured\Nit out after posting... I'm\Nstarting to remember more of\Nthis now\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}okay this is where I admit I\Nhaven't seen GODZILLA: KING\NOF THE MONSTERS! (1956) so\Nsome of my disorientation\Nhere is the rewriting of the\Nstory that is at the core of\N*this* version of the movieso\Nsome of my "WTF" is really\Nattributable to the American\Ncut of the original film, and\Nsome of it lies with Signor\NCozzi's reinterpretation of\Nsame"reporter was there" is\Nnot a bad way to re-spin a\Nfilm for a different audience\Nat the time of the original\Nfilm, and by 1977 Toho was\Nwell-aware of the value of\Ntheir brand, so they had no\Nstrong compulsion to sell off\Nthe original film, I'm sure\N\N
Dialogue: 0,0:32:14.00,0:33:29.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Baby ring my bell!" - These\Nguys. And also Anita Ward.\NShe did it better.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Godzilla's arrival is in\Ntrans flag colors.\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}LOL, my wife fell asleep\Nhalfway through, so now\Nwe’re watching the end\Nagain so she can see how it\Nwraps up. It doesn’t make\Nmore sense the second time\Nthrough.\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"This well is\Ncontaminated...... there\Nappears to be monsterous\Nfootprints."So... Godzilla\Ntook a radioactive piss in\Nit?\N\N
Dialogue: 0,0:33:29.00,0:33:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Baby ring my bell!" - These\Nguys. And also Anita Ward.\NShe did it better.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Godzilla's arrival is in\Ntrans flag colors.\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}LOL, my wife fell asleep\Nhalfway through, so now\Nwe’re watching the end\Nagain so she can see how it\Nwraps up. It doesn’t make\Nmore sense the second time\Nthrough.\N\N
Dialogue: 0,0:33:36.00,0:33:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Baby ring my bell!" - These\Nguys. And also Anita Ward.\NShe did it better.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Godzilla's arrival is in\Ntrans flag colors.\N\N{\c&HD68D3D&}Patioboater\N{\c&HFFFFFF&}LOL, my wife fell asleep\Nhalfway through, so now\Nwe’re watching the end\Nagain so she can see how it\Nwraps up. It doesn’t make\Nmore sense the second time\Nthrough.\N\N
Dialogue: 0,0:33:49.00,0:34:02.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Baby ring my bell!" - These\Nguys. And also Anita Ward.\NShe did it better.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Godzilla's arrival is in\Ntrans flag colors.\N\N
Dialogue: 0,0:34:02.00,0:34:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Baby ring my bell!" - These\Nguys. And also Anita Ward.\NShe did it better.\N\N
Dialogue: 0,0:34:51.00,0:35:53.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N
Dialogue: 0,0:35:53.00,0:36:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N
Dialogue: 0,0:36:00.00,0:36:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"Look at the size of those\Nfootprints!"Ironically the\Nradiation shrunk its package.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}@plaidtron3000 @diazona yea,\Nthere's a fairly interesting\N(from the standpoint of "how\Ndoes the movie industry work"\Nanyway) history to how this\Nparticular piece of cinema\Ncame to exist.Including a\Ncute -flavored bit of trivia:\NCozzi wanted the rights to\NGORGO (1960) but couldn't get\Nthem, and he called up Toho\Nafter that.\N\N
Dialogue: 0,0:36:13.00,0:36:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}y'know, with all the\Ncompression pixelation this\Nthing gets kind of arty at\Ntimes\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N
Dialogue: 0,0:36:20.00,0:37:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}choreograFUR\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}y'know, with all the\Ncompression pixelation this\Nthing gets kind of arty at\Ntimes\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Kind of unbelievable how this\Nis so much less compelling\Nthan the original film\Ndespite using a lot of the\Nsame footage\N\N
Dialogue: 0,0:37:39.00,0:37:43.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"How did your experiments\Ninto using radio nucleotides\Nto giganticise and mutate\Nlizards go? Very well? That's\Noutstanding!"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}choreograFUR\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}y'know, with all the\Ncompression pixelation this\Nthing gets kind of arty at\Ntimes\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}"150m". Three times taller\Nthan in the originl already.\NThey will probably keep that\Nin mind in the city scenes.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of superman with that\Nzapping animation\N\N
Dialogue: 0,0:37:43.00,0:37:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}@SnoopJ Luigi Cozzi co-wrote\Nthe latter 2/3rds of Dario\NArgento’s animal trilogy,\Nbut he also directed his own\Nmovies, so, it;s impossible\Nto say if hes bad or not\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"How did your experiments\Ninto using radio nucleotides\Nto giganticise and mutate\Nlizards go? Very well? That's\Noutstanding!"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}choreograFUR\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}y'know, with all the\Ncompression pixelation this\Nthing gets kind of arty at\Ntimes\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"It's huge and terrible.\NWorse than anything I\Ncould've imagined."Yes yes,\NI've also met your mother.\N\N
Dialogue: 0,0:37:49.00,0:37:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}@SnoopJ Luigi Cozzi co-wrote\Nthe latter 2/3rds of Dario\NArgento’s animal trilogy,\Nbut he also directed his own\Nmovies, so, it;s impossible\Nto say if hes bad or not\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"How did your experiments\Ninto using radio nucleotides\Nto giganticise and mutate\Nlizards go? Very well? That's\Noutstanding!"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}choreograFUR\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}y'know, with all the\Ncompression pixelation this\Nthing gets kind of arty at\Ntimes\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}It's Shimura Takashi from\NKurosawa's Ikiru\N\N
Dialogue: 0,0:37:55.00,0:38:40.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}As it goes on, you get used\Nto the color.The editing and\Npacing on the other hand…\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}@SnoopJ Luigi Cozzi co-wrote\Nthe latter 2/3rds of Dario\NArgento’s animal trilogy,\Nbut he also directed his own\Nmovies, so, it;s impossible\Nto say if hes bad or not\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"How did your experiments\Ninto using radio nucleotides\Nto giganticise and mutate\Nlizards go? Very well? That's\Noutstanding!"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}choreograFUR\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}y'know, with all the\Ncompression pixelation this\Nthing gets kind of arty at\Ntimes\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}"It was terrifying" he says\Nin a monotone voice\N\N
Dialogue: 0,0:38:40.00,0:38:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}As it goes on, you get used\Nto the color.The editing and\Npacing on the other hand…\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}@SnoopJ Luigi Cozzi co-wrote\Nthe latter 2/3rds of Dario\NArgento’s animal trilogy,\Nbut he also directed his own\Nmovies, so, it;s impossible\Nto say if hes bad or not\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"How did your experiments\Ninto using radio nucleotides\Nto giganticise and mutate\Nlizards go? Very well? That's\Noutstanding!"\N\N
Dialogue: 0,0:38:42.00,0:39:22.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}As it goes on, you get used\Nto the color.The editing and\Npacing on the other hand…\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}@SnoopJ Luigi Cozzi co-wrote\Nthe latter 2/3rds of Dario\NArgento’s animal trilogy,\Nbut he also directed his own\Nmovies, so, it;s impossible\Nto say if hes bad or not\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}"How did your experiments\Ninto using radio nucleotides\Nto giganticise and mutate\Nlizards go? Very well? That's\Noutstanding!"\N\N
Dialogue: 0,0:39:22.00,0:39:46.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}As it goes on, you get used\Nto the color.The editing and\Npacing on the other hand…\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}@SnoopJ Luigi Cozzi co-wrote\Nthe latter 2/3rds of Dario\NArgento’s animal trilogy,\Nbut he also directed his own\Nmovies, so, it;s impossible\Nto say if hes bad or not\N\N
Dialogue: 0,0:39:46.00,0:40:19.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}As it goes on, you get used\Nto the color.The editing and\Npacing on the other hand…\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N
Dialogue: 0,0:40:19.00,0:41:19.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}As it goes on, you get used\Nto the color.The editing and\Npacing on the other hand…\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@combatwombat I wonder if 50m\Nin original got translated to\N150 feet in US version, and\Nthat became 150m in this\N\N
Dialogue: 0,0:41:19.00,0:41:29.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N
Dialogue: 0,0:41:29.00,0:41:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N
Dialogue: 0,0:41:39.00,0:42:03.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@paco\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}oxigione destruccione\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Cozzi wanted to give an old\Nfilm an 'up-to-date and more\Nviolent look,' so the\Ndirector added real footage\Nof death and destruction from\Nwar-time and Hiroshima stock\Nfootage, as well as scenes\Nfrom [other monster movies]"\N- IMDB\N\N
Dialogue: 0,0:42:03.00,0:42:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@paco\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}eagle sound + exploding glo\Nstick\N\N
Dialogue: 0,0:42:15.00,0:42:17.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@paco\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N
Dialogue: 0,0:42:17.00,0:42:20.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@paco\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual WWII footage\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Toho disliked this version\Nof the film, considering it\Nan 'abomination'. They even\Nwent as far as having\Nreferences to it removed from\Nthe audio commentary for the\NCriterion DVD and Blu-ray\Nreleases of Godzilla (1954)."\N\N
Dialogue: 0,0:42:20.00,0:42:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@paco\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}For a football player /\Nbodybuilder turned into an\Nactor, you gotta admire the\Ndynamic range that Lou\NFerrigno can produce.\N\N
Dialogue: 0,0:42:38.00,0:42:55.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@paco\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the military march part of a\NGodzilla movie is a hard\Nthing to resist enjoyingit's\Njust such a good theme\N\N
Dialogue: 0,0:42:55.00,0:42:56.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N
Dialogue: 0,0:42:56.00,0:43:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}anyway, time for an extended\Nsequence of real wartime\Nsub-hunting footage cut\Ntogether\N\N
Dialogue: 0,0:43:37.00,0:44:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}in order to have life, one\Nmust take life (Yours! *Zap*)\N\N
Dialogue: 0,0:44:39.00,0:45:05.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}It’s a shame Cozzi didn’t\Nbring back the ominous synth\Ntrack from the Hiroshima\Ntitle sequence. Maybe he\Nre-uses it later?\N\N
Dialogue: 0,0:45:05.00,0:45:24.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Dang, I got distracted and\Njust re-joining. Apparently\Nthey used film stock from the\N1890s, huh?\N\N
Dialogue: 0,0:45:24.00,0:45:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Toho's Godzilla didn't use\Nfootage from Hiroshima or\NNagasaki out of respect for\Nthe dead and injured.Cozzi\Nhad no such qualms.\N\N
Dialogue: 0,0:45:42.00,0:45:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N
Dialogue: 0,0:45:57.00,0:46:05.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ Eduigi Woodozzi\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}distributors apparently would\Nnot touch a movie that was\Nany shorter than 90 minutes,\Nso Cozzi had to pad the\Nruntime of the American cut\Nof the original film\N\N
Dialogue: 0,0:46:05.00,0:46:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Yo they're actually dancing\Nwith joy from having kilt\NGodzilla, huh?\N\N
Dialogue: 0,0:46:12.00,0:46:46.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N
Dialogue: 0,0:46:46.00,0:47:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Hey I bet in Japanese they're\Nsaying "MIRU"!!!\N\N
Dialogue: 0,0:47:12.00,0:47:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual people\Nactually dying in WWII,\Nthanks Cozzi, you piece of\Nshit.\N\N
Dialogue: 0,0:47:13.00,0:47:16.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@moira I thought Urania\Ntelling Glaucia to wait on\Nthe beach for her and\NHercules to go off to the\Nunderwater fairies (forget\Nwhat they were) was kinda\Npushy. ‍\N\N
Dialogue: 0,0:47:16.00,0:47:31.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}@plaidtron3000 for real? omg\Nthat's horrible...\N\N
Dialogue: 0,0:47:31.00,0:48:52.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Oh actual real ship wrecks\Nand deaths. Oh joy... I hate\NCozzi.\N\N
Dialogue: 0,0:48:52.00,0:49:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@paco meme template right\Nthere\N\N
Dialogue: 0,0:49:41.00,0:50:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}@SnoopJ PRO-TIP: make most of\Nyour movie slow motion so you\Ncan hit the 90 minute runtime\N\N
Dialogue: 0,0:50:13.00,0:51:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"who did it?" "the slime\Npeople" (shades of swaMOP\Nthing)\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ that explains a lot\N\N
Dialogue: 0,0:51:58.00,0:53:09.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N
Dialogue: 0,0:53:09.00,0:53:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}Now I don't know how to feel\Nbc I don't know which film\Naction is real and which is\Nacting....\N\N
Dialogue: 0,0:53:51.00,0:55:16.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N
Dialogue: 0,0:55:16.00,0:55:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}and sometimes the gel effects\Njust straight up work\N\N{\c&H7DC5CF&}Paco Hope\N{\c&HFFFFFF&}@diazona Here's the\Nunmodified original, in case\Nanyone wants to use it.\N\N
Dialogue: 0,0:55:36.00,0:56:02.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N
Dialogue: 0,0:56:02.00,0:56:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I'll give it this, the grainy\Nlow-res footage of Godzilla\Ndoes actually work - it feels\Nlike a historical\NdocumentaryEverything else in\Nthis movie, not so much\N\N
Dialogue: 0,0:56:42.00,0:57:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N
Dialogue: 0,0:57:15.00,0:57:21.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}The 1954 music still whips\N\N{\c&H71E7B9&}Kevin C \N{\c&HFFFFFF&}@frightya.bsky.social I think\Nit looks like her before the\Nplastic surgery.\N\N
Dialogue: 0,0:57:21.00,0:57:37.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona Eine kleine\Nleitmotif\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N
Dialogue: 0,0:57:37.00,0:57:51.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Why stop at incomprehensibly\Nbad, when it can also be\Nincomprehensible?" - Cozzi\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona Eine kleine\Nleitmotif\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N{\c&HDECCA8&}RandyunderscoreS\N{\c&HFFFFFF&}That Contra-Bassoon tho\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}guess rOiDs were all the rage\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@Terencio Buona notte\N\N{\c&HDC49A2&}\N{\c&HFFFFFF&}So that might be film from an\Nactual evacuation? woah\Nthat's freaking me out... I\Nthink I'ma dip...\NArrivederci....\N\N
Dialogue: 0,0:57:51.00,0:57:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Why stop at incomprehensibly\Nbad, when it can also be\Nincomprehensible?" - Cozzi\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona Eine kleine\Nleitmotif\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N
Dialogue: 0,0:57:58.00,0:58:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Why stop at incomprehensibly\Nbad, when it can also be\Nincomprehensible?" - Cozzi\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona Eine kleine\Nleitmotif\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}"he's as tall as a 30-story\Nbuilding"[cuts to footage of\NGodzilla next to power lines\Nfor a very well-deifned scale\Nreference]film-making!\N\N
Dialogue: 0,0:58:12.00,0:58:27.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Why stop at incomprehensibly\Nbad, when it can also be\Nincomprehensible?" - Cozzi\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona Eine kleine\Nleitmotif\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@paco @diazona\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla has a jingle\N\N
Dialogue: 0,0:58:27.00,0:59:06.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Why stop at incomprehensibly\Nbad, when it can also be\Nincomprehensible?" - Cozzi\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@diazona Eine kleine\Nleitmotif\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}three scen wipes in 5\NsEDITconds\N\N
Dialogue: 0,0:59:06.00,0:59:07.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Why stop at incomprehensibly\Nbad, when it can also be\Nincomprehensible?" - Cozzi\N\N
Dialogue: 0,0:59:07.00,0:59:40.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N
Dialogue: 0,0:59:40.00,1:00:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N{\c&H8BE895&}Montaha\N{\c&HFFFFFF&}To this day, we still bear\Nthe scars of our war, the war\Nthat made us lose\Neverything…And now we are\Nliving through a war that\Nisn't ours, a war raging\Nelsewhere, and we are the\Nones paying the price.How\Nlong will this\Nlast?Everything here\Nis…Weary, burdened with\Nfear and waiting.\N\N
Dialogue: 0,1:00:33.00,1:00:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N{\c&HFCAB6C&}klu9\N{\c&HFFFFFF&}@strangefour @paco @diazona\N\N
Dialogue: 0,1:00:57.00,1:03:06.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour @paco\N\N
Dialogue: 0,1:03:06.00,1:04:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Still a nice shot (in motion,\Nwhere you can see him more\Nclearly).\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}"Was that an actual person\Nset on fire? You can guess,\Nbut you'll never know!" -\NCozzi\N\N
Dialogue: 0,1:04:13.00,1:04:18.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}READY SETSEIZURE\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Still a nice shot (in motion,\Nwhere you can see him more\Nclearly).\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N
Dialogue: 0,1:04:18.00,1:04:36.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Ah cool cool, I kinda\Nsuspected but I found that\Nthe 1957 version actually did\Nhave Steve Martin as a\Ncharacter so wasn't sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}READY SETSEIZURE\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Still a nice shot (in motion,\Nwhere you can see him more\Nclearly).\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}@SnoopJ It's the magazine\Npublishing building. They get\Nat least 30 stories out a\Nmonth.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Even grainy Godzilla footage\Nis still Godzilla footage.\NAnd they kept most of the\Nsoundtrack. So this is just\Nstirring up memories of\Nwatching good versions of\Nthis movie.\N\N
Dialogue: 0,1:04:36.00,1:05:15.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Ah cool cool, I kinda\Nsuspected but I found that\Nthe 1957 version actually did\Nhave Steve Martin as a\Ncharacter so wasn't sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}READY SETSEIZURE\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Still a nice shot (in motion,\Nwhere you can see him more\Nclearly).\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}GOJIRA (1957) is such a\Nmoving film that even this\Ncough-syrup recut is not able\Nto suppress the chilling\Npower it contains\N\N
Dialogue: 0,1:05:15.00,1:05:42.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Ah cool cool, I kinda\Nsuspected but I found that\Nthe 1957 version actually did\Nhave Steve Martin as a\Ncharacter so wasn't sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}READY SETSEIZURE\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Still a nice shot (in motion,\Nwhere you can see him more\Nclearly).\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ well said\N\N
Dialogue: 0,1:05:42.00,1:06:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Ah cool cool, I kinda\Nsuspected but I found that\Nthe 1957 version actually did\Nhave Steve Martin as a\Ncharacter so wasn't sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}READY SETSEIZURE\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}Still a nice shot (in motion,\Nwhere you can see him more\Nclearly).\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ wait did you mean the\N1957 French remake, or the\N1954 original?\N\N
Dialogue: 0,1:06:39.00,1:07:08.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Ah cool cool, I kinda\Nsuspected but I found that\Nthe 1957 version actually did\Nhave Steve Martin as a\Ncharacter so wasn't sure\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}READY SETSEIZURE\N\N
Dialogue: 0,1:07:08.00,1:07:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Ah cool cool, I kinda\Nsuspected but I found that\Nthe 1957 version actually did\Nhave Steve Martin as a\Ncharacter so wasn't sure\N\N
Dialogue: 0,1:07:12.00,1:08:50.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N
Dialogue: 0,1:08:50.00,1:09:10.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Steve Martin: “It’s these\Ncans! He hates these cans!”\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}cutting in WWII footage does\Nmake the failure of the\Nmilitary to respond to\NGodzilla more prominentlike\Nyea guys, AA into the clouds\Nis not very effective with a\Nkaiju who is decidedly not up\Nin the clouds\N\N
Dialogue: 0,1:09:10.00,1:10:40.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona No, it's really not.\NIt's a combination of\Nsurreality and blood, and...\Nit kinda works.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Steve Martin: “It’s these\Ncans! He hates these cans!”\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Not the worst job with\Ncolorization of Godzilla's\Nattack, honestly\N\N
Dialogue: 0,1:10:40.00,1:10:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}it replays 2 minutes from\Nearlier in the movie within\Nitself\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona No, it's really not.\NIt's a combination of\Nsurreality and blood, and...\Nit kinda works.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Steve Martin: “It’s these\Ncans! He hates these cans!”\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"what is that?""Time is\Nshort; take it!"*Eats\Nleaves**Zaps underwater*\N\N
Dialogue: 0,1:10:41.00,1:12:39.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of shadow ganon energy\Ntennis ball battle\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}it replays 2 minutes from\Nearlier in the movie within\Nitself\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona No, it's really not.\NIt's a combination of\Nsurreality and blood, and...\Nit kinda works.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Steve Martin: “It’s these\Ncans! He hates these cans!”\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@SnoopJ Me neither until I\Nlooked it up on\NIMDBDefinitely a possibility,\Nalthough I'm worried it'd\Nhave a lot of the same issues\Nas what we're watching now\N\N
Dialogue: 0,1:12:39.00,1:14:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual corpses\Nagain.Fuck it, I'm out.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}fuck you Cozzi\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of shadow ganon energy\Ntennis ball battle\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}it replays 2 minutes from\Nearlier in the movie within\Nitself\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona No, it's really not.\NIt's a combination of\Nsurreality and blood, and...\Nit kinda works.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Steve Martin: “It’s these\Ncans! He hates these cans!”\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N
Dialogue: 0,1:14:01.00,1:14:18.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}And now comes the unwatchable\Npart of the 1977 Italian\Nversion\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual corpses\Nagain.Fuck it, I'm out.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}fuck you Cozzi\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of shadow ganon energy\Ntennis ball battle\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}it replays 2 minutes from\Nearlier in the movie within\Nitself\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona No, it's really not.\NIt's a combination of\Nsurreality and blood, and...\Nit kinda works.\N\N{\c&H9FD65F&} J Riley \N{\c&HFFFFFF&}Steve Martin: “It’s these\Ncans! He hates these cans!”\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}This movie's best moments all\Ncome straight from another\Nmovie\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Can't wait to see Burr doing\Nstandup and playing\Nbanjo.That's going to happen\Nsoon, right?\N\N
Dialogue: 0,1:14:18.00,1:16:28.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}@strangefour Yeah, it's a bit\Ngrotesque using all the\Nreal-life footage in what is\Notherwise a silly b-movie\Nmonster flick.Yeah the\Noriginal's got an\Nanti-nuclear anti-war theme\Nto it, but it seems a bit\Nghoulish to make it this\Nliteral.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}And now comes the unwatchable\Npart of the 1977 Italian\Nversion\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual corpses\Nagain.Fuck it, I'm out.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}fuck you Cozzi\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of shadow ganon energy\Ntennis ball battle\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}it replays 2 minutes from\Nearlier in the movie within\Nitself\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}@diazona No, it's really not.\NIt's a combination of\Nsurreality and blood, and...\Nit kinda works.\N\N
Dialogue: 0,1:16:28.00,1:17:16.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I gotta say, this focus on\Nthe injured and dead people\Nin the aftermath of\NGodzilla's attack does not\Nreally fit with the vibe of\Nthe original movie\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}@strangefour Yeah, it's a bit\Ngrotesque using all the\Nreal-life footage in what is\Notherwise a silly b-movie\Nmonster flick.Yeah the\Noriginal's got an\Nanti-nuclear anti-war theme\Nto it, but it seems a bit\Nghoulish to make it this\Nliteral.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}And now comes the unwatchable\Npart of the 1977 Italian\Nversion\N\N{\c&H345D56&}Plaid\N{\c&HFFFFFF&}Hey look, actual corpses\Nagain.Fuck it, I'm out.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}fuck you Cozzi\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}shades of shadow ganon energy\Ntennis ball battle\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}it replays 2 minutes from\Nearlier in the movie within\Nitself\N\N
Dialogue: 0,1:17:16.00,1:18:05.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the horror of the fish\Ngetting all oxygen destroyed\Nkinda hits different after\Nthe dickhead director has\Nshown you footage of actual\Nwartime corpsestrampling all\Nover the original film's art\Nof leaving the worst of the\Nhorror *implied*, inviting\Nthe viewer to reflect on that\Nhorror and draw comparisons\Nfor themselves\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I gotta say, this focus on\Nthe injured and dead people\Nin the aftermath of\NGodzilla's attack does not\Nreally fit with the vibe of\Nthe original movie\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}@strangefour Yeah, it's a bit\Ngrotesque using all the\Nreal-life footage in what is\Notherwise a silly b-movie\Nmonster flick.Yeah the\Noriginal's got an\Nanti-nuclear anti-war theme\Nto it, but it seems a bit\Nghoulish to make it this\Nliteral.\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}And now comes the unwatchable\Npart of the 1977 Italian\Nversion\N\N
Dialogue: 0,1:18:05.00,1:18:07.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}i can see why there are no\Nlonger new movies about greek\Ngods&esses\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the horror of the fish\Ngetting all oxygen destroyed\Nkinda hits different after\Nthe dickhead director has\Nshown you footage of actual\Nwartime corpsestrampling all\Nover the original film's art\Nof leaving the worst of the\Nhorror *implied*, inviting\Nthe viewer to reflect on that\Nhorror and draw comparisons\Nfor themselves\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I gotta say, this focus on\Nthe injured and dead people\Nin the aftermath of\NGodzilla's attack does not\Nreally fit with the vibe of\Nthe original movie\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}@strangefour Yeah, it's a bit\Ngrotesque using all the\Nreal-life footage in what is\Notherwise a silly b-movie\Nmonster flick.Yeah the\Noriginal's got an\Nanti-nuclear anti-war theme\Nto it, but it seems a bit\Nghoulish to make it this\Nliteral.\N\N
Dialogue: 0,1:18:07.00,1:19:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}"I told Ogawa and Steve"\Noofone of these men is not\Nlike the otherone man's in\Nit, one man's not\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}i can see why there are no\Nlonger new movies about greek\Ngods&esses\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the horror of the fish\Ngetting all oxygen destroyed\Nkinda hits different after\Nthe dickhead director has\Nshown you footage of actual\Nwartime corpsestrampling all\Nover the original film's art\Nof leaving the worst of the\Nhorror *implied*, inviting\Nthe viewer to reflect on that\Nhorror and draw comparisons\Nfor themselves\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I gotta say, this focus on\Nthe injured and dead people\Nin the aftermath of\NGodzilla's attack does not\Nreally fit with the vibe of\Nthe original movie\N\N{\c&H93A862&}Social Commentary Bot\N{\c&HFFFFFF&}@strangefour Yeah, it's a bit\Ngrotesque using all the\Nreal-life footage in what is\Notherwise a silly b-movie\Nmonster flick.Yeah the\Noriginal's got an\Nanti-nuclear anti-war theme\Nto it, but it seems a bit\Nghoulish to make it this\Nliteral.\N\N
Dialogue: 0,1:19:58.00,1:21:08.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}, Cozzi replayed footage from\Nthe same movie for a padded\Nexposition.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}"I told Ogawa and Steve"\Noofone of these men is not\Nlike the otherone man's in\Nit, one man's not\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}i can see why there are no\Nlonger new movies about greek\Ngods&esses\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the horror of the fish\Ngetting all oxygen destroyed\Nkinda hits different after\Nthe dickhead director has\Nshown you footage of actual\Nwartime corpsestrampling all\Nover the original film's art\Nof leaving the worst of the\Nhorror *implied*, inviting\Nthe viewer to reflect on that\Nhorror and draw comparisons\Nfor themselves\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}I gotta say, this focus on\Nthe injured and dead people\Nin the aftermath of\NGodzilla's attack does not\Nreally fit with the vibe of\Nthe original movie\N\N
Dialogue: 0,1:21:08.00,1:23:01.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}, Cozzi replayed footage from\Nthe same movie for a padded\Nexposition.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}"I told Ogawa and Steve"\Noofone of these men is not\Nlike the otherone man's in\Nit, one man's not\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}i can see why there are no\Nlonger new movies about greek\Ngods&esses\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the horror of the fish\Ngetting all oxygen destroyed\Nkinda hits different after\Nthe dickhead director has\Nshown you footage of actual\Nwartime corpsestrampling all\Nover the original film's art\Nof leaving the worst of the\Nhorror *implied*, inviting\Nthe viewer to reflect on that\Nhorror and draw comparisons\Nfor themselves\N\N
Dialogue: 0,1:23:01.00,1:23:09.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}, Cozzi replayed footage from\Nthe same movie for a padded\Nexposition.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}"I told Ogawa and Steve"\Noofone of these men is not\Nlike the otherone man's in\Nit, one man's not\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}i can see why there are no\Nlonger new movies about greek\Ngods&esses\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}the horror of the fish\Ngetting all oxygen destroyed\Nkinda hits different after\Nthe dickhead director has\Nshown you footage of actual\Nwartime corpsestrampling all\Nover the original film's art\Nof leaving the worst of the\Nhorror *implied*, inviting\Nthe viewer to reflect on that\Nhorror and draw comparisons\Nfor themselves\N\N
Dialogue: 0,1:23:09.00,1:23:48.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}, Cozzi replayed footage from\Nthe same movie for a padded\Nexposition.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}"I told Ogawa and Steve"\Noofone of these men is not\Nlike the otherone man's in\Nit, one man's not\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}i can see why there are no\Nlonger new movies about greek\Ngods&esses\N\N
Dialogue: 0,1:23:48.00,1:26:04.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N{\c&H74E6C8&}motherofbiscuits\N{\c&HFFFFFF&}, Cozzi replayed footage from\Nthe same movie for a padded\Nexposition.\N\N{\c&HD7D8F2&}Solarbird :flagcascadia:\N{\c&HFFFFFF&}"I told Ogawa and Steve"\Noofone of these men is not\Nlike the otherone man's in\Nit, one man's not\N\N
Dialogue: 0,1:26:04.00,1:26:33.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N
Dialogue: 0,1:26:33.00,1:26:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N
Dialogue: 0,1:26:54.00,1:27:54.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N{\c&H6A4A33&}SnoopJ\N{\c&HFFFFFF&}just amazing to see Cozzi's\Ncrude bullshit juxtaposed\Nagainst like, actual\Nfilmmakingthe only strong\Nreaction Cozzi's crude\Ncontributions to "gosh look\Nhow bad this is" elicit is\Ndisgust\N\N
Dialogue: 0,1:27:54.00,1:28:02.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N
Dialogue: 0,1:28:02.00,1:28:41.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}There's your real horror\Nshots Cozzi! A devastated\Ncity with few survivors. And\Nthe sad haunting sound of a\Nchildren's choir.\N\N
Dialogue: 0,1:28:41.00,1:30:13.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Nothing like a children's\Nchoir for manufacturing drama\N/s\N\N
Dialogue: 0,1:30:13.00,1:32:12.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Transfer onto hercules the\NenerGy to win"\N\N
Dialogue: 0,1:32:12.00,1:32:49.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N
Dialogue: 0,1:32:49.00,1:33:46.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N
Dialogue: 0,1:33:46.00,1:34:11.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}TENTACLES!!!\N\N{\c&H923669&}teledyn \N{\c&HFFFFFF&}In defense of this movie did\Ncontain a life-changing\Nfragment of dialog come-back\Nquip I shall use\Nhenceforth:Minos: One must\Naccept inevitable\Ndefeat.Urania: I can only\Naccept it as a challenge,\NMinos.Right on,\N\N
Dialogue: 0,1:34:11.00,1:34:38.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Battleship cannons!?\NWHYYYYY????? I wow. I have\Nnever seen a worse re-edit of\Na film ever.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Octopus money shots? Eh? We\Nneed to fill that much time?\N\N
Dialogue: 0,1:34:38.00,1:34:57.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@diazona Tang?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Battleship cannons!?\NWHYYYYY????? I wow. I have\Nnever seen a worse re-edit of\Na film ever.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}alien with a teal ...\NjockOSTUME?\N\N
Dialogue: 0,1:34:57.00,1:34:58.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla being killed off by\Noxygen-deprived water that\Nhis head is sticking up out\Nof ‍\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@diazona Tang?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Battleship cannons!?\NWHYYYYY????? I wow. I have\Nnever seen a worse re-edit of\Na film ever.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}of in the planetary model\Nshots\N\N{\c&HEBB5D2&}Brad\N{\c&HFFFFFF&}Is Cozzilla a “mondo”\Nfilm?\N\N
Dialogue: 0,1:34:58.00,1:35:17.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H4E966E&}bobert\N{\c&HFFFFFF&}And now he can be killed by\Nartillery because we want to\Nuse all our amazing WW2\Nfootage that goes bang. Eh.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla being killed off by\Noxygen-deprived water that\Nhis head is sticking up out\Nof ‍\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@diazona Tang?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Battleship cannons!?\NWHYYYYY????? I wow. I have\Nnever seen a worse re-edit of\Na film ever.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"Yes, i'm back, thanks to the\NgODDs"\N\N
Dialogue: 0,1:35:17.00,1:35:44.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Most dramatic bubbles everor,\Nso says the soundtrack\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}And now he can be killed by\Nartillery because we want to\Nuse all our amazing WW2\Nfootage that goes bang. Eh.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla being killed off by\Noxygen-deprived water that\Nhis head is sticking up out\Nof ‍\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@diazona Tang?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Battleship cannons!?\NWHYYYYY????? I wow. I have\Nnever seen a worse re-edit of\Na film ever.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N
Dialogue: 0,1:35:44.00,1:36:00.00,Default,,0,0,0,,{\pos(20,20)}{\an7}{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Most dramatic bubbles everor,\Nso says the soundtrack\N\N{\c&H4E966E&}bobert\N{\c&HFFFFFF&}And now he can be killed by\Nartillery because we want to\Nuse all our amazing WW2\Nfootage that goes bang. Eh.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}Godzilla being killed off by\Noxygen-deprived water that\Nhis head is sticking up out\Nof ‍\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}@diazona Tang?\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}Battleship cannons!?\NWHYYYYY????? I wow. I have\Nnever seen a worse re-edit of\Na film ever.\N\N{\c&H636399&}David Zaslavsky\N{\c&HFFFFFF&}@strangefour And the water\Nturns orange, apparently\N\N{\c&HEA6F70&}sonder\N{\c&HFFFFFF&}"The future belongs to chaos,\Nand, to sciEnce - join us!"\N\N{\c&HA3A87C&}strangefour with the Pleiades\N{\c&HFFFFFF&}As Serizawa and Godzilla die\Nthe skies once again turn\Ntrans.\N\N